Cover

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pp. c-ii

Book Title

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pp. iii-iii

Copyright

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pp. iv-vi

Contents

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pp. vii-viii

Acknowledgments

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pp. ix-x

Act I

Saving Silence

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pp. 3-3

My Husband—Lover of Silent Movies—Attends Le Giornate del Cinema Muto

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pp. 4-4

The Adventures of Billy

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pp. 5-6

silent night

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pp. 7-7

Kurutta Ippeiji: A Page of Madness

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pp. 8-13

Last year, you were in Italy

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pp. 14-14

The Dark That Is Not Sleeping

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pp. 15-16

Familiarity, My Husband

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pp. 17-18

Voyage Autour D’Une Etoile

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pp. 19-20

Kohitsuji: The Lamb

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pp. 21-21

Italy, October

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pp. 22-22

Ein Werktag

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pp. 23-24

Byzantium

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pp. 25-25

I Due Sogni Ad Occhi Aperti: Two Dreams with Eyes Wide Open

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pp. 26-29

This is not a silent movie—there is music

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pp. 30-30

Act II

Mosjoukine in Exile

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pp. 33-46

Act III

Before the Movie

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pp. 49-49

Fragments from Le Mogli e le Arance: Wives and Oranges

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pp. 50-54

Le Canard, c. 1925?

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pp. 55-55

Tusalava

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pp. 56-57

La Vocation D’André Carel: The Vocation of André Carel

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pp. 58-59

L’Hirondelle et la Mesange

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pp. 60-61

Germinal

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pp. 62-62

Visage D’Enfants

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pp. 63-63

from the last century

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pp. 64-64

D. W. Griffith, December, 1911

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pp. 65-66

The Acting Career of Charles H. West Considered as Bad Karma

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pp. 67-68

film history as train wreck

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pp. 69-70

Imagine God as a Camera

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pp. 71-73

Goodnight Silents

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pp. 74-76

Keeper of Light

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pp. 77-77

Film Upon Film

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pp. 78-79

Bang

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pp. 80-81

The Projector

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pp. 82-82

Notes

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pp. 83-83

Other Books in the Crab Orchard Series in Poetry

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pp. 84-85

Back Cover

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pp. bc-bc