Title Page, Copyright

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pp. 1-6

Contents

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pp. vii-8

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Acknowledgments

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pp. ix-xi

This book bears only one signature yet it bears the imprint of many hands, hearts, and minds. Kindred spirits, close friends, members of the tribe have urged me forward and accompanied me during the time it took to complete this work. I appreciate most of all the help...

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Introduction

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pp. 1-19

This book began as the story of one portrait—Romaine Brooks’s Self-Portrait of 1923--which has both personal and professional signiWcance to me (Wg.1). My awareness of alternatives to the scenarios of marriage and motherhood that shaped a woman’s destiny when...

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One. Lesbian Paris Between the Wars

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pp. 20-42

Despite the reactionary thrust of campaigns to restore order to post-war French society in the wake of the First World War, many of the lesbians who had achieved recognition for their professional activities during the war years maintained positions of prominence...

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Two. Romaine Brooks: Portraits That Look Back

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pp. 43-67

The lesbian society portraitist Romaine Brooks, an outstanding member of Paris’s growing population of modern women, cut a striking Wgure on the European cultural scene during the 1910s and 1920s. Her dashing fashions, raven hair, pale complexion, and penetrating...

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Three. “Narcissus and Narcissus”: Claude Cahun and Marcel Moore

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pp. 68-104

Like the gallery of amazon geniuses immortalized by Brooks in her portraiture of the 1920s, the photographic work generated by Claude Cahun and her lover Marcel Moore during this period takes the politics of gender and sexual identity as a central problematic....

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Four. Suzy Solidor and Her Likes

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pp. 105-135

Portraits of Suzy Solidor lined the walls of La Vie Parisienne, the cabaret where she presided—on the fringes of Paris’s exclusive Wrst arrondissement, and at the heart of what would become the city’s first gay quartier—from 1932 to 1946.1 Some of the portraits, like Yves...

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Conclusion

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pp. 136-144

This story began in Paris with the Great War of 1914–1918. Twentieth-century warfare, with its industrial efficiency, broke faith with the Enlightenment’s promise of progress and made the creation of new systems of social engagement—or the resurrection of archaic...

Notes

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pp. 145-183

Selected Bibliography

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pp. 185-199

Index

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pp. 201-211

About the Author

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pp. 213-227