Cover

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Half-title

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Title

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Copyright

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Dedication

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Contents

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pp. vii-viii

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Foreword

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pp. ix-x

Geoffrey Jacques is a subtle, sophisticated poet who has read widely and has taken his cue from some of the most important vanguard poets of the past century and a half—Whitman, Breton, Césaire, Stein, Olson, Baraka, and others. He has digested and assimilated the lessons to be learned from their...

I

Saturday Night Fish Fry

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pp. 3-3

Bursting Out All Over

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pp. 4-4

Intrusion

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pp. 5-5

Sepia-Toned Footage

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pp. 6-8

Commercial Euphoria

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pp. 9-11

White Supremacy Is Not Eternal

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pp. 12-14

After Midnight

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pp. 15-15

The Present “Crisis"

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pp. 16-16

Stomp

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pp. 17-22

Mesopotamia

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pp. 23-30

II

James Baldwin

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pp. 33-35

Well You Needn’t

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pp. 36-36

The Wonderful Fantasies of the Colonized

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pp. 37-37

Giant

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pp. 38-40

The Blab of the Pave

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pp. 41-44

Supporting Architecture

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pp. 45-45

Just for a Thrill

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pp. 46-50

Reverie

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pp. 51-51

Evaluation

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pp. 52-60

III

The Culture of the Copy

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pp. 63-63

One Year Later

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pp. 64-64

Loose Sentences

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pp. 65-65

Don’t Blame Me

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pp. 66-66

Aimlessly Roaming Along Fifth Avenue

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pp. 67-67

What I Learned

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pp. 68-68

Humoresque

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pp. 69-69

Sunlit Frames

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pp. 70-73

Rock Serenity

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pp. 74-74

Inclusivity

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pp. 75-77

Night Language

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pp. 78-78

Amusement Without Weather

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pp. 79-79

At the Border to the Unexceptional Sky

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pp. 80-82

Six Episodes in the History of Flight

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pp. 83-88

Notice

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pp. 89-89

Bangs & Whimpers

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pp. 90-92

IV

The Fall of Vietnam

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pp. 95-96

Threnody for Edsel Reid

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pp. 97-97

Conditions of Artificial Scarcity

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pp. 98-101

Nostalgia

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pp. 102-107

Letter to the Board

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pp. 108-118

Back_Cover

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