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“Geoffrey Jacques is a subtle, sophisticated poet who has read widely and has taken his cue from some of the most important vanguard poets of the past century and a half—Whitman, Breton, Césaire, Stein, Olson, Baraka, and others. He has digested and assimilated the lessons to be learned from their work while finding a way that is very much his own. The result is a distinctive contemporary voice whose angular mode of address and unerring touch edify as much as they impress. This book presents both in full flower. Techniques of detour and indirection productively encounter an aesthetic of sampling, quotation, and juxtaposition, a language-foregrounding tack that draws a range of domains and discourses into its mix. Song titles, clichés, catch phrases, bureaucratic boilerplate, advertising jargon, office chat, song lyrics, legalese, and other components of the linguistic atmosphere we live in find their way into the work, suggesting an overmediated, gone-before-it-gets-here present. Just for a Thrill is a substantial gathering of Jacques’ work of recent years—a welcome breakthrough book by a poet whose work has appeared mainly in little magazines and limited chapbook editions over the past dozen or so years, a poet whose work deserves greater attention. We’re fortunate to have so galvanic a collection of Jacques’ poetry in an edition that promises to reach a wider audience.” —From the foreword by Nathaniel Mackey

Table of Contents

  1. Cover
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  1. Half-title
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  1. Title
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  1. Copyright
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  1. Dedication
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  1. Contents
  2. pp. vii-viii
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  1. Foreword
  2. pp. ix-x
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  1. I
  2. pp. 1-2
  1. Saturday Night Fish Fry
  2. pp. 3-3
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  1. Bursting Out All Over
  2. pp. 4-4
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  1. Intrusion
  2. pp. 5-5
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  1. Sepia-Toned Footage
  2. pp. 6-8
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  1. Commercial Euphoria
  2. pp. 9-11
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  1. White Supremacy Is Not Eternal
  2. pp. 12-14
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  1. After Midnight
  2. pp. 15-15
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  1. The Present “Crisis"
  2. pp. 16-16
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  1. Stomp
  2. pp. 17-22
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  1. Mesopotamia
  2. pp. 23-30
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  1. II
  2. pp. 31-32
  1. James Baldwin
  2. pp. 33-35
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  1. Well You Needn’t
  2. pp. 36-36
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  1. The Wonderful Fantasies of the Colonized
  2. pp. 37-37
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  1. Giant
  2. pp. 38-40
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  1. The Blab of the Pave
  2. pp. 41-44
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  1. Supporting Architecture
  2. pp. 45-45
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  1. Just for a Thrill
  2. pp. 46-50
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  1. Reverie
  2. pp. 51-51
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  1. Evaluation
  2. pp. 52-60
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  1. III
  2. pp. 61-62
  1. The Culture of the Copy
  2. pp. 63-63
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  1. One Year Later
  2. pp. 64-64
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  1. Loose Sentences
  2. pp. 65-65
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  1. Don’t Blame Me
  2. pp. 66-66
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  1. Aimlessly Roaming Along Fifth Avenue
  2. pp. 67-67
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  1. What I Learned
  2. pp. 68-68
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  1. Humoresque
  2. pp. 69-69
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  1. Sunlit Frames
  2. pp. 70-73
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  1. Rock Serenity
  2. pp. 74-74
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  1. Inclusivity
  2. pp. 75-77
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  1. Night Language
  2. pp. 78-78
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  1. Amusement Without Weather
  2. pp. 79-79
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  1. At the Border to the Unexceptional Sky
  2. pp. 80-82
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  1. Six Episodes in the History of Flight
  2. pp. 83-88
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  1. Notice
  2. pp. 89-89
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  1. Bangs & Whimpers
  2. pp. 90-92
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  1. IV
  2. pp. 93-94
  1. The Fall of Vietnam
  2. pp. 95-96
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  1. Threnody for Edsel Reid
  2. pp. 97-97
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  1. Conditions of Artificial Scarcity
  2. pp. 98-101
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  1. Nostalgia
  2. pp. 102-107
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  1. Letter to the Board
  2. pp. 108-118
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  1. Back_Cover
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Additional Information

ISBN
9780814335635
Print ISBN
9780814332900
MARC Record
OCLC
777595968
Pages
128
Launched on MUSE
2013-01-01
Language
English
Open Access
N
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