The Textual Continuum in American Indian Literature
Publication Year: 2010
Published by: University of Nebraska Press
Table of Contents
Introduction: Diving into Deep Waters
My elders say this is how our world was created. Before there was this solid earth on which we live, the place we call Elohi, there was only Galunlati, the Sky World, which exists high above the arch of the Sky-Vault. A long time ago, before humans, the ancient animals grew...
1. The Oral Impulse, the Graphic Impulse, and the Critical Impulse: Reframing Signification in American Indian Literary Studies
On a warm July afternoon north of Tahlequah, Oklahoma, the capital of the Cherokee Nation, I sit with Sequoyah Guess and Sam Still under a shady canopy of trees telling stories. Sequoyah and Sam, Cherokee language teachers and cultural traditionalists, are teaching me the language of my family’s kinship. As my nephew, Matt...
2. N. Scott Momaday’s The Way to Rainy Mountain: Vision, Textuality, and History
Offering both a critical methodology and an articulation of key critical concepts in ways that resolve the apparent binary of oral and literate elements, N. Scott Momaday’s The Way to Rainy Mountain provides a model for interpreting American Indian literature. The narrative describes a transformative intellectual journey in which a tribe reconceives...
3. Trickster Leads the Way: A Reading of Gerald Vizenor’s Bearheart: The Heirship Chronicles
The Anishinaabe writer Gerald Vizenor begins his groundbreaking 1978 trickster novel Darkness in Saint Louis Bearheart at the heart of a colonial struggle, during the 1972 takeover of the Bureau of Indian Affairs building in Washington DC. In the epigraph above, a dialogue between Songidee Migwan, an American Indian Movement activist, and Saint...
4. Transforming "Eventuality": The Aesthetics of a Tribal “Word-Collector” in Ray A. Young Bear’s Black Eagle Child and Remnants of the First Earth
In the preface to Remnants of the First Earth the character Edgar Bearchild creatively blends Black Eagle Child mythology with his unique perceptions of his homeland to describe the way the Black Eagle Child settlement looks before daybreak. Bearchild, Ray A. Young Bear’s fictionalized alter...
5. Interpreting Our World: Authority and the Written Word in Robert J. Conley’s Real People Series
The summer 2001 issue of the Cherokee Phoenix profiles the Cherokee painter Talmadge Davis, a self-taught artist who turns for his subject matter to the traditions and history of his people. The Cherokee journalist Will Chavez writes that Davis “wants his paintings to teach people about Cherokee history.” Chavez describes Davis’s depiction...
Epilogue: Building Ground in American Indian Textual Studies
Dypaloh. A word, an invocation. This one Jemez phrase signals not just the beginning of N. Scott Momaday’s House Made of Dawn, but a key moment in the development of a critical awareness of the relationship between oral and graphic discourses in Native American literature. Since the publication of Momaday’s watershed novel, Native...
Page Count: 272
Publication Year: 2010
OCLC Number: 781311819
MUSE Marc Record: Download for Deep Waters