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summary
Using case studies of The Agency, In the Company of Spies, Alias, The Recruit, The Sum of All Fears, Enemy of the State, Syriana, The Good Shepherd, and more, this book raises important and troubling questions about the nature and extent of the CIA’s influence on film and television

Table of Contents

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  1. Cover
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  1. Title Page, Copyright Page
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  1. Contents
  2. pp. v-vi
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  1. Acknowledgments
  2. pp. vii-viii
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  1. Introduction
  2. pp. 1-13
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  1. 1. Rogues, Assassins, and Buffoons: Representations of the CIA in Film and Television
  2. pp. 14-31
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  1. 2. Opening the Doors: Why and How the CIA Works with Hollywood
  2. pp. 32-53
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  1. 3. Necessary and Competent: The CIA in The Agency and In the Company of Spies
  2. pp. 54-72
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  1. 4. The Chase Brandon Years
  2. pp. 73-96
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  1. 5. The Legal and Ethical Implications of the CIA in Hollywood
  2. pp. 97-114
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  1. 6. The Last People We Want in Hollywood: The Retired CIA Officer and the Hollywood Docudrama
  2. pp. 115-132
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  1. Conclusion
  2. pp. 133-138
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  1. Notes
  2. pp. 139-154
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  1. Bibliography
  2. pp. 155-164
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  1. Index
  2. pp. 165-167
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