Cover

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pp. i-ii

Title Page, Copyright

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pp. iii-iv

Contents

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pp. v-vi

List of Illustrations

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pp. vii-viii

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Acknowledgments

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pp. ix-xiv

Any academic undertaking involves a cooperative effort. This book could not have been undertaken or brought to its conclusion without assistance from various quarters, financial and personal....

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Introduction

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pp. 1-16

On the first page of Contending Forces: A Romance Illustrative of Negro Life North and South (1900), the portrait of a beautiful and dignified Pauline Hopkins (1859–1930), one of the two pictures available to us, is inscribed “Yours for humanity.” The author looks the reader directly into the eyes; her mien is...

Restlessness of the Spirit (1859–1900)

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Background and Beginnings

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pp. 19-29

Sometime in the 1870s, a young colored girl was sitting in an audience listening to the great and powerful orator Frederick Douglass. Recollecting this experience years later, she wrote: “Child as I was, I felt that I could listen to the mellow richness of those sonorous accents forever. His bearing full of...

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Performances and Peculiar Sam

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pp. 30-46

While most studies of Hopkins so far have concentrated on her four novels, a few of the short stories, and the journalism, any indepth analysis of her development as a writer is incomplete without an interpretation of her play...

Negotiations in Race and Gender (1900–1905)

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The Colored American Magazine

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pp. 49-59

Her reputation as a performer and writer, a certain financial stability, and “grim determination”—as R. S. Elliott, a white man in charge of the technical management of the magazine in its early years, chose to call it (“The Story” 47)—allowed Pauline Hopkins to grasp one of the few opportunities available to...

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The Use of Pseudonyms

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pp. 60-69

Hopkins published her short story “The Mystery Within Us” in the first issue of the Colored American Magazine (May 1900). In the June issue it was announced that she would be in charge of the women’s column. The September issue...

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Booker T. Washington and Famous Men

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pp. 70-96

Hopkins’s journalistic essays at the Colored American Magazine shed light on her biography, although the references are often indirect. Her “Famous Men of the Negro Race” series, running from November 1900 to October 1901, is the best...

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The Black Woman’s Era

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pp. 97-110

T he black woman’s era was the age of a generation of famous race women. Between 1880 and 1920 African American intellectuals, educators, public lecturers, and artists of all branches found recognition in the club movement. Hundreds...

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The Voices of the Dark Races

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pp. 111-132

Hopkins tried to stay with the Colored American Magazine for a short time after its transfer to New York. Due to ill health, incipient arthritis, and disagreement with the new editorial policies, however, she returned to Boston after a few months. Whatever

Negotiations in Literature (1900–1905)

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The Values of Race Literature

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pp. 135-154

Pauline Hopkins opens the preface to her first novel, Contending Forces: A Romance Illustrative of Negro Life North and South, by saying: “In giving this little romance expression in print, I am not actuated by a desire for notoriety...

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Contending Forces of the Slave Past

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pp. 155-169

The engraving of the whipping scene at the beginning of Contending Forces (1900) offers an excellent opening for a discussion of Pauline Hopkins’s fiction. In addition to the contrast between the female victim and the two male torturers, there is a subtle play of colors in this black-and-white engraving. The...

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Hagar’s Beautiful Daughters

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pp. 170-188

In the March 1903 issue of the Colored American Magazine, when Cornelia Condict criticized Pauline Hopkins for writing about interracial love rather than intraracial love, her reproach was basically aimed at the figure of the

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Winona, Manhood, and Heroism

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pp. 189-206

In Hopkins’s fiction, the female protagonists correspond to the image of the beautiful heroines under duress who either must be rescued or rescue themselves through memorable deeds. The roles available to her male figures also correspond...

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Of One Blood and the Future African American

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pp. 207-223

Of One Blood (1902–3) is the only one of the four novels by Pauline Hopkins that features a mixed-race male character who passes for white. It is the only novel by Hopkins and one of the few African American novels of the period that combine...

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Folk Characters and Dialect Writing

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pp. 224-239

I n all of Hopkins’s fiction, folk characters are an integral part of the world of her heroines and heroes. Hopkins clearly tries to reconcile her own and her characters’ aspirations to middle-class respectability with a need to demonstrate race...

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Short Stories in the Colored American Magazine

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pp. 240-262

I n the nine years of its existence, the Colored American Magazine published some fifty short stories, the majority of them by women. Thirty of them have been collected by Elizabeth Ammons in Short Fiction by Black Women, 1900–1920, a collection...

Voices and Silences (1905–1930)

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On the Platform with Prominent Speakers

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pp. 265-269

Hopkins’s prolific years were dominated by her journalism and her own writing. She was engaged in editorial work and the day-to-day business of publishing a magazine much of the time. Some of her time, however, was always...

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The New Era Magazine

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pp. 270-276

Hopkins made a brief comeback as editor of the Boston-based New Era Magazine in 1916, together with Walter Wallace, her former colleague at the Colored American Magazine. The magazine attempted to recreate and revitalize the goals...

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The Late Years

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pp. 277-290

In her study of Boston’s black upper class, Adelaide Hill Cromwell calls the period between 1830 and about 1910 or 1915 “the period of integration” (197). This time can be divided into a “stage of protest,” which began with the leadership of William Lloyd...

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Appendix

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pp. 291-314

Hopkins’s treatment of the topic in A Primer of Facts: Pertaining to the Early Greatness of the African Race and the Possibility of Restoration by Its Descendants— with Epilogue Compiled and Arranged from theWorks of the Best Known Ethnologists and Historians (1905) is not new, as...

Notes

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pp. 315-334

Bibliography

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pp. 335-356

Index

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pp. 357-368