In this Book

The Amistad Revolt
summary
From journalism and lectures to drama, visual art, and the Spielberg film, this study ranges across the varied cultural reactions--in America and Sierra Leone--engendered by the 1839 Amistad slave ship revolt.

Iyunolu Folayan Osagie is a native of Sierra Leone, from where the Amistad's cargo of slaves originated. She digs deeply into the Amistad story to show the historical and contemporary relevance of the incident and its subsequent trials. At the same time, she shows how the incident has contributed to the construction of national and cultural identity both in Africa and the African diasporo in America--though in intriguingly different ways.

This pioneering work of comparative African and American cultural criticism shows how creative arts have both confirmed and fostered the significance of the Amistad revolt in contemporary racial discourse and in the collective memories of both countries.

Table of Contents

  1. Cover
  2. pp. C-1
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  1. Title Page, Copyright, Dedication, Frontispiece
  2. pp. i-vi
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  1. Contents
  2. pp. vii-viii
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  1. Acknowledgments
  2. pp. ix-x
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  1. Introduction
  2. pp. xi-xviii
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  1. Part One. Remembering the Past
  2. pp. 1-2
  1. Chapter One. The Amistad Story in the American Context
  2. pp. 3-23
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  1. Chapter Two. Slave Revolts and the Production of Identity
  2. pp. 24-52
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  1. Chapter Three. The Amistad Returnees and the Mende Mission
  2. pp. 53-68
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  1. Part Two. Reinventing the Present
  2. pp. 69-70
  1. Chapter Four. Sculpting History: African American Burdens of Memory
  2. pp. 71-97
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  1. Chapter Five. National Identity: The Dramatic Return of Memory in Sierra Leone
  2. pp. 98-118
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  1. Chapter Six. Hollywood Images, African Memories: Spielberg's Amistad and Sierra Leone Culture and Politics
  2. pp. 119-135
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  1. Afterword
  2. pp. 136-138
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  1. Images
  2. pp. Image 1-Image 6
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  1. Notes
  2. pp. 139-160
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  1. Works Cited
  2. pp. 161-174
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  1. Index
  2. pp. 175-180
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