In this Book

Athens, Still Remains
summary
Athens, Still Remains is an extended commentary on a series of photographs of contemporary Athens by the French photographer Jean-Franois Bonhomme. But in Derrida's hands commentary always has a way of unfolding or, better, developing in several unexpected and mutually illuminating directions.First published in French and Greek in 1996, Athens, Still Remains is Derrida's most sustained analysis of the photographic medium in relationship to the history of philosophy and his most personal reflection on that medium. At once photographic analysis, philosophical essay, and autobiographical narrative, Athens, Still Remains presents an original theory of photography and throws a fascinating light on Derrida's life and work.The book begins with a sort of verbal snapshot or aphorism that haunts the entire book: we owe ourselves to death.Reading this phrase through Bonhomme's photographs of both the ruins of ancient Athens and contemporary scenes of a still-living Athens that is also on its way to ruin and death, Derrida interrogates a philosophical tradition that runs from Socrates to Heidegger in which the human-and especially the philosopher-is thought to owe himself to death, to a certain thought of death or comportment with regard to death. Combining philosophical speculations on mourning and death, event and repetition, and time and difference with incisive commentary on Bonhomme's photographs and a narrative of Derrida's 1995 trip to Greece, Athens, Still Remains is one of Derrida's most accessible, personal, and moving works without being, for all that, any less philosophical. As Derrida reminds us, the word photography-an eminently Greek word-means the writing of light,and it brings together today into a single frame contemporary questions about the work of art in the age of mechanical reproduction and much older questions about the relationship between light, revelation, and truth-in other words, an entire philosophical tradition that first came to light in the shadow of the Acropolis.

Table of Contents

  1. Title Page, Copyright Page
  2. restricted access Download |
  1. Contents
  2. restricted access Download |
  1. Illustrations
  2. pp. vii-viii
  3. restricted access Download |
  1. Translators’ Note
  2. pp. ix-xi
  3. restricted access Download |
  1. Nous nous devons Ă  la mort.
  2. pp. 1-3
  3. restricted access Download |
  1. Still I
  2. pp. 4-5
  3. restricted access Download |
  1. Still II
  2. pp. 6-6
  3. restricted access Download |
  1. Still III
  2. pp. 7-8
  3. restricted access Download |
  1. Still IV
  2. pp. 9-9
  3. restricted access Download |
  1. Still V
  2. pp. 9-11
  3. restricted access Download |
  1. Still VI
  2. pp. 11-13
  3. restricted access Download |
  1. Still VII
  2. pp. 13-15
  3. restricted access Download |
  1. Still VIII
  2. pp. 15-16
  3. restricted access Download |
  1. Still IX
  2. pp. 17-17
  3. restricted access Download |
  1. Still X
  2. pp. 17-20
  3. restricted access Download |
  1. Still XI
  2. pp. 21-24
  3. restricted access Download |
  1. Still XII
  2. pp. 25-26
  3. restricted access Download |
  1. Still XIII
  2. pp. 27-29
  3. restricted access Download |
  1. Still XIV
  2. pp. 29-34
  3. restricted access Download |
  1. Still XV
  2. pp. 35-50
  3. restricted access Download |
  1. Still XVI
  2. pp. 51-56
  3. restricted access Download |
  1. Still XVII
  2. pp. 57-65
  3. restricted access Download |
  1. Still XVIII
  2. pp. 65-65
  3. restricted access Download |
  1. Still XIX
  2. pp. 65-68
  3. restricted access Download |
  1. Still XX
  2. pp. 69-72
  3. restricted access Download |
  1. Notes
  2. pp. 73-74
  3. restricted access Download |
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.