Title Page, Copyright

pdf iconDownload PDF
 

Content

pdf iconDownload PDF

pp. 3-4

read more

Preface

pdf iconDownload PDF

pp. 5-6

Fifty-seven years ago, in late 1951, I compiled and edited the first publication dealing with the life and works of Ray Douglas Bradbury. In January 1952 the Ray Bradbury Review (a 64-page pamphlet) was issued from San Diego, California, in a photo-offset edition of 1200 copies. Much later, in 1988, a facsimile hardcover edition was published, with new introductory...

read more

Introduction: Situating Bradbury in the “Reign of Adaptations”

pdf iconDownload PDF

pp. 7-10

Welcome to the first issue of The New Ray Bradbury Review.
The title of our journal harkens back to the beginnings of criticism on Ray Bradbury, William F. Nolan’s Ray Bradbury Review, originally published in 1952. That affectionate and charming volume, with hand-drawn illustrations by Nolan and done before he was even a professional writer...

read more

Fleeing from the “Ghost Machines”: Patterns of Resistance in The Pedestrian and The Murderer

pdf iconDownload PDF

pp. 11-34

Of the stories quoted above, The Pedestrian, first published in 1951, is much better known. Considered one of Ray Bradbury’s finest short stories from the Cold War period, it also retains special interest as an important precursor text of the author’s first, and highly acclaimed, novel-length work...

read more

Adapting Melville for the Screen:The Moby Dick Screenplay

pdf iconDownload PDF

pp. 35-60

Bradbury has always been, at heart, a dramatic writer. He spent his high school years in and around all the Hollywood studios pestering stars for autographs, and privately he looked to the silver screen for the ultimate test of his writing talents. Between 1950 and 1952 television producers and film studios showed strong interest in his stories, but these were years when it was unclear how TV and cinema industry relationships would develop and...

read more

The Illustrating Man:The Screenplays of Ray Bradbury

pdf iconDownload PDF

pp. 61-78

Although Ray Bradbury writes his stories on foolscap in the standard King’s English, he would prefer to shape them into hieroglyphs, roll them up in scrolls, and fling them against tomb walls. He wants to stand them up on two legs and walk them around the world, whispering and singing to tomorrow’s children...

read more

Ray Bradbury and BBC Radio: 1971 to 2007

pdf iconDownload PDF

pp. 79-90

Ray Bradbury’s stories have proven to be a rich source for radio drama on BBC radio. Since the 1950s there has been a continuous stream of one-off plays and occasional series based on his work. Some of the adaptations have been faithful, almost literal, retellings of his short stories and novels, while others have been reimaginings by some of radio’s leading dramatists...

read more

Meeting Bradbury: Adaptations,Transformations, and Tributes

pdf iconDownload PDF

pp. 91-98

“I’ve decided that maybe we should do a life and work study of a major science fiction writer. Who would you want to write a book about?”
I sipped my gin and tonic as I reflected about what I assumed to be a purely speculative question. We were at a publisher’s party at the 1976 MLA convention in Chicago, where I was interviewing for jobs and trying to interest...

read more

Dandelion Wine Audio CD

pdf iconDownload PDF

pp. 99-104

Green Town, Illinois, 1928. Douglas Spaulding, twelve years old, awakens the town and in so doing introduces the cast of characters: family, friends and neighbours.
Doug, out picking grapes with his father and brother, has an epiphany. He discovers that he is alive.
One evening, a stranger arrives in town. Bill Forrester seems to have an uncanny knowledge of the people of Green Town. Forrester moves into the...

read more

From the Archives of The Center for Ray Bradbury Studies

pdf iconDownload PDF

pp. 105-105

This section includes facsimiles and transcriptions of original manuscripts, interviews, screenplays, drawings, and memorabilia that are held by or loaned to The Center for Ray Bradbury Studies at Indiana University.
Transcriptions are presented here with silent corrections for spelling errors and without noting the author’s deletion or replacement of text. Although some sense of the original formatting may be preserved, the editors have...

read more

Ray Bradbury Interview with Mogen and Siegel (1980)

pdf iconDownload PDF

pp. 106-126

BRADBURY: When I adapted Fahrenheit 451 for the stage years ago I knew the novel by heart—God almighty, I spent so much time revising it over the years and reading proofs on it. So instead of looking at the novel again I said to my characters, “Look, it’s been twenty-eight years since we last really talked together. What do you know that you didn’t tell me twenty-eight years ago?” And all of a sudden the Fire Chief spoke up and said, “Hey, I got things to tell you"...

read more

Introduction to Gotcha!

pdf iconDownload PDF

pp. 127-134

Gotcha! was initially broadcast in 1988 as part of the first run of The Ray Bradbury Theater for USA Network. By then Bradbury was well into the process of adapting his short stories for television, having aired six previous episodes for HBO during the summer of 1985 and winter of 1986. We publish here the teleplay Bradbury submitted to Atlantis Productions, transcribed...

Gotcha!

pdf iconDownload PDF

pp. 135-162

Nemo!

pdf iconDownload PDF

pp. 163-173

read more

Bradbury’s Comic Adaptation of Edgar Rice Burroughs

pdf iconDownload PDF

pp. 174-177

Bradbury's juvenile comic panels for A Fighting Man of Mars, by Edgar Rice Burroughs. These are not just a series of isolated cartoons, but rather a sustained eight-frame adaptation drawn with text sometime between 1931 and 1933. For his strip, Bradbury softened the character of the coldly ambitious but beautiful petty-noble Sanoma Tora and raised her to the status of...

read more

Ray Bradbury: Adaptations in Other Media

pdf iconDownload PDF

pp. 178-214

Bradbury’s extensive adaptation of his own work to other genres and media is cataloged here, followed by a shorter but no less significant listing of Bradbury’s adaptations of the work of other authors. The second half of the catalog consists of an even more extensive listing of Bradbury work adapted by other writers. Within each of these major categories of authorship, adaptations...

Title Index

pdf iconDownload PDF

pp. 215-220

Notes on Contributors

pdf iconDownload PDF

pp. 221-223

Next Issue

pdf iconDownload PDF

pp. 224-224