In this Book

Joel-Francois Durand in the Mirror Land
summary
This collection of texts by and about French composer Joël-François Durand features a wide-ranging self-interview, in which he speaks candidly and engagingly about how and why he became a composer. Other essays by Durand focus on his use of melody and on his Piano Concerto. The book also includes contributions by Christian Asplund, Eric Flesher, Ryan Hare, and Jonathan W. Bernard.

Table of Contents

  1. Cover
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  1. Title Page, Copyright Page
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  1. Contents
  2. pp. v-vi
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  1. Editor's Introduction
  2. pp. vii-xii
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  1. In the Mirror Land: Reflections on a Self-Reflection (2004)
  2. pp. 1-88
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  1. Melody—Three Situations: Un Feu distinct, La Terre et le feu, Athanor (2004)
  2. pp. 89-138
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  1. On Some Aspects of the Piano Concerto: Time as Generator of Space through Melody and Harmony (1996)
  2. pp. 139-152
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  1. In the Mirror Land: Version for Flute and Oboe (2003)
  2. pp. 153-162
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  1. Thematic Adaptation in Recent Works of Joël-François Durand
  2. pp. 163-172
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  1. Centers, Fields, and Cracks: Some Solutions to the Problems of Contemporary Composition in the Music of Joël-François Durand
  2. pp. 173-182
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  1. “As if to illustrate the process of creation itself”: Joël-François Durand’s Lichtung
  2. pp. 183-210
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  1. Durand, Bernhard, and Form
  2. pp. 211-246
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  1. Biography
  2. pp. 247-250
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  1. List of Works
  2. pp. 251-258
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  1. Contributors
  2. pp. 259-260
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  1. Index
  2. pp. 261-266
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