Cover

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Title Page, Copyright Page

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Contents

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pp. vii-viii

Acknowledgments

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pp. ix-xii

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Introduction

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pp. 1-20

Edward Curtis, in his 1930 The North American Indian, had only a brief paragraph on the Chicka saws, and even then, they were jointly considered with the Choctaws. Such was their complete amalgamation with European and Ameri can settlers that he described them as “a striking forecast of the ultimate solution to what is now regarded as the Indian problem.”1 The presumed...

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1. Museums and American Indians in Context

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pp. 21-42

A discussion of the Chickasaw Nation’s museums and heritage sites must begin with an examination of the historic intersection between American Indians and the museums that defined and displayed them. This chapter explores that intersection through a discussion of the display of native peoples in Ameri can museums since the nineteenth century, a discussion of the new...

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2. The Chickasaw Council House Museum

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pp. 43-65

For many years the Chickasaw Council House served as the central site for remembering Chickasaw heritage. Located in the south eastern portion of the historic Chickasaw Nation, the Council House was the principal heritage site for recalling and exhibiting Chickasaw identity from the 1960s...

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3. The Chickasaw National Capitol and White House

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pp. 66-102

If the interpretation and display of the Chicka saw Council House described in the previous chapter represents an attempt to link contemporary Chickasaw sovereignty to traditional governance resurrected in the nineteenth-century Oklahoma incarnation of the Council House, the interpretation of the Chicka saw National Capitol and White House seeks to describe the...

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4. The Chickasaw Cultural Center

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pp. 103-140

The interpretations of the Chickasaw Council House Museum, the Chickasaw National Capitol Museum, and the Chickasaw White House are generally tied to specific periods of Chickasaw history. The consequent links to the historiography as well as the relationship between the current Chickasaw Nation and that history are therefore fairly direct. The Chickasaw Cultural...

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5. Hayochi and the National Museum of the American Indian

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pp. 141-159

Shortly after the opening of the National Museum of the American Indian (NMAI) in 2004, the Chickasaw Nation began planning a fifth heritage site, the Hayochi (Discover) Center. Originally planned as a replacement for the aging Chickasaw Council House Museum, the space became a location for realizing the indigenous exhibitionary grammar emphasized at the NMAI...

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Conclusion

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pp. 160-166

Despite my best intentions and the warm reception of Devon Mihesuah’s warning, I fear this work has largely been an attempt to define Chickasaws using standards that are not their own. Indigenous scholars, activists, and curators have consistently denied the relevance of the historiography to describing Native American communities. This book demonstrates the use of...

Notes

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pp. 167-194

Bibliography

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pp. 195-204

Index

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pp. 205-208

Back Cover

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