In this Book

summary
Years after his death, F. Scott Fitzgerald continues to captivate both the popular and the critical imagination. This collection of essays presents fresh insights into his writing, discussing neglected texts and approaching familiar works from new perspectives.

Seventeen scholarly articles deal not only with Fitzgerald's novels but with his stories and essays as well, considering such topics as the Roman Catholic background of The Beautiful and Damned and the influence of Mark Twain on Fitzgerald's work and self-conception. The volume also features four personal essays by Fitzgerald's friends Budd Schulberg, Frances Kroll Ring, publisher Charles Scribner III, and writer George Garrett that shed new light on his personal and professional lives. Together these contributions demonstrate the continued vitality of Fitzgerald's work and establish new directions for ongoing discussions of his life and writing.

Table of Contents

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  1. Cover
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  1. Title Page, Copyright Page
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  1. Contents
  2. pp. v-vi
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  1. Introduction
  2. pp. vii-xv
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  1. Part One: Personal Responses
  2. pp. 1-35
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  1. Remembering Scott
  2. pp. 3-17
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  1. Memories of Scott
  2. pp. 18-21
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  1. F. Scott Fitzgerald: A Publishers Perspective
  2. pp. 22-27
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  1. The Good Ghost of Scott Fitzgerald
  2. pp. 28-35
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  1. Part Two: The Novels
  2. pp. 37-156
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  1. Princeton as Modernist's Hermeneutics: Rereading This Side of Paradise
  2. pp. 39-50
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  1. Keats's Lamian Legacy: Romance and the Performance of Gender in The Beautiful and Damned
  2. pp. 51-62
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  1. Fitzgeralds Catholicism Revisited: The Eucharistic Element in The Beautiful and Damned
  2. pp. 63-77
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  1. The Great Gatsby — The Text as Construct: Narrative Knots and Narrative Unfolding
  2. pp. 78-89
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  1. Fitzgerald and Proust: Connoisseurs of Kisses
  2. pp. 90-101
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  1. Redirecting Fitzgerald's "Gaze": Masculine Perception and Cinematic License in The Great Gatsby
  2. pp. 102-114
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  1. The Rendering of Proper Names, Titles, and Allusions in the French Translations of The Great Gatsby
  2. pp. 115-129
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  1. Tourism and Modernity in Tender Is the Night
  2. pp. 130-141
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  1. Fitzgerald's Use of History in The Last Tycoon
  2. pp. 142-156
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  1. Part Three: The Stories and Essays
  2. pp. 157-249
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  1. Tamed or Idealized: Judy Jones's Dilemma in "Winter Dreams"
  2. pp. 159-172
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  1. Inside "Outside the Cabinet-Maker's"
  2. pp. 173-179
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  1. Whose "Babylon Revisited" Are We Teaching? Cowleys Fortunate Corruption — and Others Not So Fortunate
  2. pp. 180-191
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  1. Art and Autobiography in Fitzgerald's "Babylon Revisited"
  2. pp. 192-202
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  1. Fitzgerald's "Crack-up" Essays Revisited: Fictions of the Self, Mirrors for a Nation
  2. pp. 203-215
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  1. Going Toward the Flame: Reading Allusions in the Esquire Stories
  2. pp. 216-230
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  1. A Dark Ill-Lighted Place: Fitzgerald and Hemingway, Philippe Count of Darkness and Philip Counter-Espionage Agent
  2. pp. 231-249
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  1. Part Four: Toward an American Tradition
  2. pp. 251-267
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  1. Fitzgerald's Twain
  2. pp. 253-267
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  1. Notes on Contributors
  2. pp. 269-272
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  1. Index
  2. pp. 273-276
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