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  1. Cover
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  1. Title Page, Copyright
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  1. Contents
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  1. Introductions
  2. p. 1
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  1. Introduction
  2. pp. 3-9
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  1. Marina Ledkovsky at Columbia
  2. pp. 11-14
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  1. Marina Ledkovsky
  2. pp. 15-25
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  1. Vision and Revision
  2. p. 27
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  1. Female Voice and Male Gaze in Leo Tolstoy's Family Happiness
  2. pp. 29-50
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  1. Learning How to Look: Nastasia Filippovna in The Idiot
  2. pp. 51-69
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  1. Feminine Resurrections: Gendering Redemption in the Last Novels of Tolstoy and Dostoevsky
  2. pp. 71-90
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  1. Nature and Culture
  2. p. 91
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  1. A Tale of Two Cities: Tolstoy's Gendered Moral Geography in Anna Karenina
  2. pp. 93-111
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  1. Landscapes of Girlhood: Forest Space in A Russian Childhood and The Tragic Menagerie
  2. pp. 113-131
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  1. Women's "Nature" and Creativity in the Silver Age
  2. pp. 133-148
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  1. Performance and Staging
  2. p. 149
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  1. Self-Presentation on Stage and Page in the Memoirs of Russian Women Performers
  2. pp. 151-166
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  1. Sister Acts: Autobiographies by Two Nineteenth-Century Russian Actresses in Cultural Perspective
  2. pp. 167-183
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  1. Dance as Metaphor: The Russian Ballerina and the Imperial Imagination
  2. pp. 185-208
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  1. Exile and Return
  2. p. 209
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  1. Lidiia Ginzburg's Notes of a Blockade Person: Self and Others as Polyphonic Chorus
  2. pp. 211-229
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  1. Aristocrats and Working Girls: Towards a History of Russian Émigré Women in the United States
  2. pp. 231-247
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  1. Pseudonyms and Personae of Marianna Kolosova: Creating a New Feminine Voice in Emigration
  2. pp. 249-262
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  1. Gender Politics and Canon
  2. p. 263
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  1. Poèt, Poètessa, Zhenshchina-Poèt: Job Titles and Comparable Worth
  2. pp. 265-280
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  1. The Non-Canonical Canon: From Nikolai Novikov's Historical Dictionary to Dictionary of Russian Women Writers
  2. pp. 281-300
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  1. Contemporary Russian Women's Journals: A Case Study of We/Myi
  2. pp. 301-320
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  1. Afterword
  2. pp. 321-338
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  1. Subject Index
  2. pp. 339-357
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  1. Back Cover
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