In this Book

summary
Starting in the mid-1980s, a talented set of comics artists changed the American comic-book industry forever by introducing adult sensibilities and aesthetic considerations into popular genres such as superhero comics and the newspaper strip. Frank Miller's Batman: The Dark Knight Returns (1986) and Alan Moore and Dave Gibbons's Watchmen (1987) revolutionized the former genre in particular. During this same period, underground and alternative genres began to garner critical acclaim and media attention beyond comics-specific outlets, as best represented by Art Spiegelman's Maus Publishers began to collect, bind, and market comics as "graphic novels," and these appeared in mainstream bookstores and in magazine reviews.The Rise of the American Comics Artist: Creators and Contexts brings together new scholarship surveying the production, distribution and reception of American comics from this pivotal decade to the present. The collection specifically explores the figure of the comics creator--either as writer, as artist, or as writer and artist--in contemporary U.S. comics, using creators as focal points to evaluate changes to the industry, its aesthetics, and its critical reception. The book also includes essays on landmark creators such as Joe Sacco, Art Spiegelman, and Chris Ware, as well as insightful interviews with Jeff Smith, Jim Woodring and Scott McCloud As comics have reached new audiences, through different material and electronic forms, the public's broad perception of what comics are has changed. The Rise of the American Comics Artist surveys the ways in which the figure of the creator has been at the heart of these evolutions

Table of Contents

restricted access Download Full Book
  1. Cover
  2. restricted access
    • Download PDF Download
  1. Frontmatter
  2. restricted access
    • Download PDF Download
  1. Contents
  2. pp. -
  3. restricted access
    • Download PDF Download
  1. Acknowledgments
  2. pp. ix-
  3. restricted access
    • Download PDF Download
  1. Introduction: In the Year 3794
  2. pp. xi-xxvi
  3. restricted access
    • Download PDF Download
  1. I: Marketing Creators
  2. pp. 3-56
  3. restricted access
    • Download PDF Download
  1. 1. How the Graphic Novel Changed American Comics
  2. pp. 3-13
  3. restricted access
    • Download PDF Download
  1. 2. “Is this a book?” DC Vertigo and the Redefinition of Comics in the 1990s
  2. pp. 14-30
  3. restricted access
    • Download PDF Download
  1. 3. Signals from Airstrip One: The British Invasion of Mainstream American Comics
  2. pp. 31-45
  3. restricted access
    • Download PDF Download
  1. Interview: Jeff Smith
  2. pp. 46-56
  3. restricted access
    • Download PDF Download
  1. II: Demo-Graphics: Comics and Politics
  2. pp. 57-89
  3. restricted access
    • Download PDF Download
  1. 4. State of the Nation and the Freedom Fighters Arc
  2. pp. 57-67
  3. restricted access
    • Download PDF Download
  1. 5. Critique, Caricature, and Compulsion in Joe Sacco’s Comics Journalism
  2. pp. 68-89
  3. restricted access
    • Download PDF Download
  1. III: Artists or Employees?
  2. pp. 90-134
  3. restricted access
    • Download PDF Download
  1. 6. Too Much Commerce Man? Shannon Wheeler and the Ironies of the “Rebel Cell”
  2. pp. 90-134
  3. restricted access
    • Download PDF Download
  1. 7. Comics Against Themselves: Chris Ware’s Graphic Narratives as Literature
  2. pp. 103-123
  3. restricted access
    • Download PDF Download
  1. Interview: Jim Woodring
  2. pp. 124-134
  3. restricted access
    • Download PDF Download
  1. IV: Creative Difference: Comics Creators and Identity Politics
  2. pp. 135-164
  3. restricted access
    • Download PDF Download
  1. 8. Questions of “Contemporary Women’s Comics”
  2. pp. 135-149
  3. restricted access
    • Download PDF Download
  1. 9. Theorizing Sexuality in Comics
  2. pp. 150-163
  3. restricted access
    • Download PDF Download
  1. 10. Feminine Latin/o American Identities on the American Alternative Landscape: From the Women of Love and Rockets to La Perdida
  2. pp. 164-177
  3. restricted access
    • Download PDF Download
  1. V: Authorizing Comics: How Creators Frame the Reception of Comic Texts
  2. pp. 177-203
  3. restricted access
    • Download PDF Download
  1. 11. Making Comics Respectable: How Maus Helped Redefine a Medium
  2. pp. 179-193
  3. restricted access
    • Download PDF Download
  1. 12. “A Purely American Tale”: The Tragedy of Racism and Jimmy Corrigan: The Smartest Kid on Earth as Great American Novel
  2. pp. 194-209
  3. restricted access
    • Download PDF Download
  1. 13. “That Mouse’s Shadow”: The Canonization of Spiegelman’s Maus
  2. pp. 210-234
  3. restricted access
    • Download PDF Download
  1. Interview: Scott McCloud
  2. pp. 235-242
  3. restricted access
    • Download PDF Download
  1. Contributors
  2. pp. 243-246
  3. restricted access
    • Download PDF Download
  1. Index
  2. pp. 247- 253
  3. restricted access
    • Download PDF Download
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.