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summary
The soap opera, one of U.S. television's longest-running and most influential formats, is on the brink. Declining ratings have been attributed to an increasing number of women working outside the home and to an intensifying competition for viewers' attention from cable and the Internet. Yet, soaps' influence has expanded, with serial narratives becoming commonplace on most prime time TV programs. The Survival of Soap Opera investigates the causes of their dwindling popularity, describes their impact on TV and new media culture, and gleans lessons from their complex history for twenty-first-century media industries.The book contains contributions from established soap scholars such as Robert C. Allen, Louise Spence, Nancy Baym, and Horace Newcomb, along with essays and interviews by emerging scholars, fans and Web site moderators, and soap opera producers, writers, and actors from ABC's General Hospital, CBS's The Young and the Restless and The Bold and the Beautiful, and other shows. This diverse group of voices seeks to intervene in the discussion about the fate of soap operas at a critical juncture, and speaks to longtime soap viewers, television studies scholars, and media professionals alike.

Table of Contents

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  1. Cover
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  1. Frontmatter
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  1. Contents
  2. pp. v-viii
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  1. Acknowledgments
  2. pp. ix-x
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  1. SECTION ONE: CHALLENGES TO THE FUTURE OF SOAPS
  1. Introduction: The Crisis of Daytime Drama and What It Means for the Future of Television
  2. pp. 3-21
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  1. Perspective: Scholars Barbara Irwin and Mary Cassata on the State of U.S. Soap Operas
  2. pp. 22-28
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  1. Perspective: Historian William J. Reynolds on Memories of The Edge of Night
  2. pp. 29-30
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  1. Perspective: Writer Patrick Mulcahey on Changes in Soap Opera Writing Contracts
  2. pp. 31-33
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  1. Perspective: Actor Tristan Rogers on Changes in Soaps’ Industry, Audiences, and Texts
  2. pp. 34-37
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  1. Daytime Budget Cuts
  2. pp. 38-43
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  1. Agnes Nixon and Soap Opera “Chemistry Tests”
  2. pp. 44-48
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  1. Giving Soaps a Good Scrub: ABC’s Ugly Betty and the Ethnicity of Television Formats
  2. pp. 49-57
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  1. The Way We Were: The Institutional Logics of Professionals and Fans in the Soap Opera Industry
  2. pp. 58-77
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  1. SECTION TWO: CAPITALIZING ON HISTORY
  1. Perspective: Scholar Horace Newcomb on the Pleasures and Influence of Soaps
  2. pp. 81-82
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  1. Perspective: Scholar Robert C. Allen on Studying Soap Operas
  2. pp. 83-85
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  1. Growing Old Together: Following As the World Turns’ Tom Hughes through the Years
  2. pp. 86-100
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  1. Perspective: Writer Kay Alden on What Makes Soaps Unique
  2. pp. 101-103
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  1. Perspective: Scholar Nancy Baym on Soaps after the O. J. Simpson Trial
  2. pp. 104-105
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  1. Of Soap Operas, Space Operas, and Television’s Rocky Romance with the Feminine Form
  2. pp. 106-118
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  1. The Ironic and Convoluted Relationship between Daytime and Primetime Soap Operas
  2. pp. 119-129
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  1. Perspective: Scholar Louise Spence on Comparing the Soap Opera to Other Forms
  2. pp. 130-132
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  1. Perspective: Scholar Jason Mittell on the Ties between Daytime and Primetime Serials
  2. pp. 133-139
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  1. Preserving Soap History: What Will It Mean for the Future of Soaps?
  2. pp. 140-153
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  1. Did the 2007 Writers Strike Save Daytime’s Highest-Rated Drama?
  2. pp. 154-159
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  1. SECTION THREE: EXPERIMENTING WITH PRODUCTION AND DISTRIBUTION
  1. “The Rhetoric of the Camera in Television Soap Opera” Revisited: The Case of General Hospital
  2. pp. 163-174
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  1. It’s Not All Talk: Editing and Storytelling in As the World Turns
  2. pp. 175-179
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  1. Guiding Light: Relevance and Renewal in a Changing Genre
  2. pp. 180-186
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  1. The Evolution of the Production Process of Soap Operas Today
  2. pp. 187-190
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  1. From Daytime to Night Shift: Examining the ABC Daytime/SOAPnet Primetime Spin-off Experiment
  2. pp. 191-200
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  1. “What the hell does TIIC mean?” Online Content and the Struggle to Save the Soaps
  2. pp. 201-218
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  1. The Evolution of the Fan Video and the Influence of YouTube on the Creative Decision-Making Process for Fans
  2. pp. 219-230
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  1. SECTION FOUR: LEARNING FROM DIVERSE AUDIENCES
  1. Soaps for Tomorrow: Media Fans Making Online Drama from Celebrity Gossip
  2. pp. 233-249
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  1. Soap Opera Critics and Criticism: Industry and Audience in an Era of Transformation
  2. pp. 250-264
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  1. Hanging on by a Common Thread
  2. pp. 265-271
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  1. Perspective: Fan Site Moderator QueenEve on Fan Activity around and against Soaps
  2. pp. 272-274
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  1. The Role of “The Audience” in the Writing Process
  2. pp. 275-278
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  1. The “Missing Years”: How Local Programming Ruptured Days of Our Lives in Australia
  2. pp. 279-292
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  1. As the World Turns’ Luke and Noah and Fan Activism
  2. pp. 293-299
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  1. Constructing the Older Audience: Age and Aging in Soaps
  2. pp. 300-314
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  1. References
  2. pp. 315-330
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  1. Index
  2. pp. 331-344
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