In this Book

summary

The essays in Canadian Cultural Exchange / Échanges culturels au Canada provide a nuanced view of Canadian transcultural experience. Rather than considering Canada as a bicultural dichotomy of colonizer/colonized, this book examines a field of many cultures and the creative interactions among them. This study discusses, from various perspectives, Canadian cultural space as being in process of continual translation of both the other and oneself.

Les articles réunis dans Canadian Cultural Exchange / Échanges culturels au Canada donnent de l’expérience transculturelle canadienne une image nuancée. Plutôt que dans les termes d’une dichotomie biculturelle entre colonisateur et colonisé, le Canada y est vu comme champ où plusieurs cultures interagissent de manière créative. Cette étude présente sous de multiples aspects le processus continu de traduction d’autrui et de soi-même auquel l’espace culturel canadien sert de théâtre.

Table of Contents

  1. Title Page, Copyright Page
  2. pp. i-iv
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  1. Table of Contents / Table des matières
  2. pp. v-vi
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  1. Acknowledgements / Remerciements
  2. pp. vii-viii
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  1. Introduction
  2. pp. ix-xxv
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  1. I. TRANSITIVE CANADA (1): From where to here? / UN CANADA TRANSITIF (1). En amont
  2. p. 1
  1. La voix de l’Autre dans certains récits devoyages de l’Ouest canadien au tempsde la Nouvelle-France
  2. pp. 3-14
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  1. The Creative Translator: Textual Additions and Deletions in A Martyr’s Folly
  2. pp. 15-28
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  1. “I am become Aaron”: George Elliott Clarke’s Execution Poems and William Shakespeare’s Titus Andronicus
  2. pp. 29-56
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  1. II. CULTURAL APPROPRIATION REVISITED / L’APPROPRIATION CULTURELLE RECONSIDÉRÉE
  2. p. 57
  1. Latin-Americanizing Canada
  2. pp. 59-74
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  1. Transculturation and Cultural Exchange in Jane Urquhart’s Away and Eden Robinson’s Monkey Beach
  2. pp. 75-98
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  1. Transculturation in George Elliott Clarke’s Whylah Falls: or, When Is It Appropriate to Appropriate?
  2. pp. 99-119
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  1. Repatriating Arthur Nortje
  2. pp. 121-138
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  1. III. THE TRANSCULTURAL BODY / LE CORPS TRANSCULTUREL
  2. p. 139
  1. I Write My Self: The Female Body as a Site of Transculturation in the Short Stories of Carmen Rodríguez
  2. pp. 141-157
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  1. Cantique du corps métis. La critique du mythe colonial dans Cantique des plaines de Nancy Huston
  2. pp. 159-174
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  1. IV. RECONFIGURING THE SOLITUDES: Two plus other(s) / DEUX SOLITUDES ET QUELQUES AUTRES
  2. p. 175
  1. La migration culturelle de Robert Dickson
  2. pp. 177-201
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  1. A Reduced Solitude: Eugen Giurgiu’s Ewoclem sau întortocheatele cărări [Ewoclem, or The Twisted Paths] as Romanian-Canadian Literature
  2. pp. 203-223
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  1. Polylingual Identities: Writing in Multiple Languages
  2. pp. 225-245
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  1. La « latinité » des Québécois à l’épreuve
  2. pp. 247-267
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  1. V. TRANSITIVE CANADA (2): From here to where? / UN CANADA TRANSITIF (2). En aval
  2. p. 305
  1. Translating North and South: Elizabeth Bishop, Biography, and Brazil
  2. pp. 307-321
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  1. Dry Lips Moves to Tokyo: Does Indigenous Drama Translate?
  2. pp. 323-339
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  1. Out of the Shadows: Translators Take Centre Stage
  2. pp. 341-362
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  1. Postface. Transculturation et mémoire
  2. pp. 363-378
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  1. List of Contributors / Liste des collaborateurs
  2. pp. 379-383
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  1. Name Index / Index onomastique
  2. pp. 385-390
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  1. Subject Index / Index des matières
  2. pp. 391-401
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  1. Books in the Cultural Studies Series
  2. p. 406
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Additional Information

ISBN
9781554580781
Related ISBN
9780889205192
MARC Record
OCLC
236348531
Pages
432
Launched on MUSE
2012-02-08
Language
English
Open Access
No
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