In this Book

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"On strands of light I am hanging poetry like garlands."

These first words of poetry from Nicole Brossard anticipate the vast body of work she has published in the last four decades. The poems in Mobility of Light were chosen by Louise H. Forsyth to elicit a sense of these whirling garlands and convey the intense energy-physical, creative, spiritual, erotic, imaginative, playful, ethical, and political-that has carried Brossard to a uniquely significant vision of the human spirit.

Poems are presented in French and English on facing pages, underscoring the density of meaning in each word and line and highlighting the unusual rhythms in Brossard’s originals and the extraordinary sonorities with which they beat. Some of the translations in this volume have been previously published, while others are new. In her afterword, Brossard talks about travelling back in time to discover how our most vivid sensations, emotions, and thoughts are nourished and transformed by our enigmatic relation to language.

Table of Contents

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  1. Cover
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  1. Frontmatter
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  1. Table of Contents
  2. pp. v-viii
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  1. Foreword
  2. p. ix
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  1. Biographical Note
  2. pp. x-xi
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  1. Introduction: Poetic Firewords at the Speed of Light
  2. pp. xiii-xxvi
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  1. Aube à la saison / “Season Dawning”
  2. pp. 2-3
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  1. Mordre en sa chair / “Biting in the Flesh”
  2. pp. 4-5
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  1. L’écho bouge beau / “Echo Budges Beautiful”
  2. pp. 6-9
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  1. Suite logique / “Suite logic”
  2. pp. 10-15
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  1. Le centre blanc / “The White Centre”
  2. pp. 16-19
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  1. Mécanique jongleuse, suivi de Masculin grammaticale / Daydream Mechanics. Masculine Singular
  2. pp. 20-23
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  1. La partie pour le tout / “The Part for the Whole”
  2. pp. 24-25
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  1. L’amèr ou le chapitre effrité / These Our Mothers Or: The Disintegrating Chapter
  2. pp. 26-27
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  1. Amantes / Lovhers
  2. pp. 28-45
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  1. Marginal Way / “Marginal Way”
  2. pp. 46-47
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  1. L’aviva / Aviva
  2. pp. 48-51
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  1. À tout regard / “If”
  2. pp. 52-53
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  1. Installations / Installations
  2. pp. 54-61
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  1. Langues obscures / “Obscure Tongues”
  2. pp. 62-65
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  1. La nuit verte du Parc Labyrinthe. Green Night of Labyrinth Park. La noche verde del Parque Laberinto
  2. pp. 66-67
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  1. Vertige de l’avant-scène / “Downstage Vertigo”
  2. pp. 68-73
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  1. Au présent des veines / “Coursing through the Veins”
  2. pp. 74-75
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  1. La matière heureuse manoeuvre encore, in Au présent des veines / Harmonious Matter Is Still Manoeuvring”
  2. pp. 76-77
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  1. Musée de l’os et de l’eau / Museum of Bone and Water
  2. pp. 78-85
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  1. Je m’en vais à Trieste / “I’m Leaving for Trieste”
  2. pp. 86-91
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  1. Cahier de roses et de civilisation. Écritures 2 / Notebook of Roses and Civilization
  2. pp. 92-97
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  1. Shadow: Soft et Soif, in Ardeur / Shadow Soft et Soif
  2. pp. 98-99
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  1. Après les mots / “After Words”
  2. pp. 100-103
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  1. Postface
  2. p. 104
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  1. Afterword
  2. pp. 105-112
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  1. Acknowledgements
  2. pp. 113-115
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