Cover

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Frontmatter

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Contents

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p. vii

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Acknowledgments

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pp. ix-xi

A first book is kind of like a first anything . . . You offer it nervously, truly, and with anticipation, all the while knowing full well that the reality will probably fall short of the fantasy . . . holding tight to the belief, however, that with subsequent attempts . . . it can only get better! ...

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Introduction: Critical Paradigms in Race, Nation, and Narratology

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pp. 1-25

The noted literary scholar Fredric Jameson has argued that "the production of aesthetic or narrative form is to be seen as an ideological act in its own right" (79).1 Literary analysts, Jameson notwithstanding, often regard stylistic or formal elements as mere functional extensions of an aesthetic or narrative text's thematic concerns. ...

Part One. Interruptions

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1. Race, Citizenship, and Form: James Weldon Johnson's The Autobiography of an Ex-Colored Man

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pp. 29-58

James Weldon Johnson's The Autobiography of an Ex-Colored Man (1912) is a tricky African Atlantic text. Literary scholars have frequently queried The Autobiography's historiography, didactic style, external literary influences, use of irony, and particularly Johnson's representation of his first-person narrator. ...

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2. The Poetics of Biomythography: The Work of Audre Lorde

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pp. 59-78

In Zami, A New Spelling of My Name (1982), Audre Lorde's self-authorizing acts purposely and self-consciously signify on Western paradigms governing autobiographical production and the process of narrating self-individuation. On first encounter, Zami seems to be Lorde's autobiography: it appears to be a conventional story of the author's life. ...

Part Two. Disruptions

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3. Race, Nation, and the Imagination: Michelle Cliff's No Telephone to Heaven

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pp. 81-107

Best noted for her powerfully evocative prose-poetic form that captures in stark, visceral terms the socioeconomic, political, historical, and cultural challenges that frame contemporary Jamaica, Michelle Cliff's work, like Johnson's and Lorde's, wrestles with the limitations and the possibilities of narrative form, historiography, African Atlantic subjectivity, and the creative imagination. ...

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4. Jazz Imaginings of the Nation-State: Earl Lovelace's Salt

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pp. 108-138

Populations living within real borders and boundaries of their respective nation-states constitute a body politic who must daily deal with politico-economic challenges of development and the realities of unemployment, underemployment, poverty, and violence, as well as the creation of jobs, fair and accessible housing, healthcare, political strategy, economic growth, and aesthetic and cultural development. ...

Part Three. Eruptions

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5. Dis-ease, De-formity, and Diaspora: John Edgar Wideman's The Cattle Killing

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pp. 141-164

In his introduction to The Best American Short Stories 1996, noted African American author John Edgar Wideman identifies the "special subversive, radically democratic role" that fiction can play not only in terms of transforming readers' ways of seeing the world, but, even more powerfully, in tangibly altering readers' ways of being in the world. ...

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Conclusion: Dialectics of Globalization, Development, and Discourse

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pp. 165-171

In the previous five chapters, I have examined structures of narration informed by African diasporic hermeneutics. These interpretive modes provide models that imagine and work through the dialectics of race, nation, and/or national belonging and textual representation. ...

Notes

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pp. 173-183

Works Cited

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pp. 185-190

Index

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pp. 191-202