In this Book

Uneven Modernity
summary

Postsocialist China is marked by paradoxes: economic boom, political conservatism, cultural complexity. Haomin Gong’s dynamic study of these paradoxes, or “unevenness,” provides a unique and seminal approach to contemporary China. Reading unevenness as a problem and an opportunity simultaneously, Gong investigates how this dialectical social situation shapes cultural production. He begins his investigation of “uneven modernity” in China by constructing a critical framework of unevenness among different theoretical schools and expounding on how dialectical thinking points to a metaphysical paradox in capitalism and modernity: the inevitable tension between a constant pursuit of infinite fullness and a break of fullness (unevenness) as the means of this pursuit. In the Chinese context, this paradox is created in the “uneven developmentalism” that most manifestly characterizes the postsocialist period.

Gong goes on to investigate manifestations of the dialectics of unevenness in specific cultural events. Four case studies address respectively but not exclusively literature (the prose of Yu Qiuyu), popular fiction (Chi Li’s neorealist fiction), commercial cinema (the movies of Feng Xiaogang), and art-house cinema (Wang Xiaoshuai’s filmmaking). Representing different aspects of cultural production in postsocialist China, these writers and directors deal with the same social condition of uneven development, and their works clearly exhibit the problematics of this age.

Uneven Modernity makes a significant contribution to the burgeoning field of China studies as well as the study of uneven development in general. It addresses some of the most popular, yet understudied, cultural phenomena in contemporary China. Specialists and students will find its insights admirable and its style accessible.

Table of Contents

  1. Cover
  2. restricted access Download |
  1. Frontmatter
  2. restricted access Download |
  1. Contents
  2. p. v
  3. restricted access Download |
  1. Acknowledgments
  2. pp. vii-viii
  3. restricted access Download |
  1. Introduction: China, Uneven Development, and Global Modernity
  2. pp. 1-10
  3. restricted access Download |
  1. Chapter 1. Uneven Modernity in Postsocialist China: A Critical Inquiry
  2. pp. 11-31
  3. restricted access Download |
  1. Chapter 2. Popularization of Traditional Culture in Postsocialist China: A Study of the Yu Qiuyu Phenomenon
  2. pp. 32-56
  3. restricted access Download |
  1. Chapter 3. Constructing a Neorealist Reality: Petty Urbanites, Mundaneness, and Chi Li's Fiction
  2. pp. 57-84
  3. restricted access Download |
  1. Chapter 4. Commerce and the Critical Edge: The Politics of Postsocialist Film and the Case of Feng Xiaogang
  2. pp. 85-107
  3. restricted access Download |
  1. Chapter 5. Geopolitics in Postsocialist Art Film and Beyond: Reading Wang Xiaoshuai's Films
  2. pp. 108-132
  3. restricted access Download |
  1. Postscript: Is an "Even Modernity" Possible in China?
  2. pp. 133-137
  3. restricted access Download |
  1. Notes
  2. pp. 139-172
  3. restricted access Download |
  1. Bibliography
  2. pp. 173-186
  3. restricted access Download |
  1. Index
  2. pp. 187-192
  3. restricted access Download |
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.