In this Book

Radical Theatricality
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summary
Radical Theatricality argues that our narrow search for extant medieval play scripts depends entirely on a definition of theater far more literary than performative. This literary definition pushes aside some of our best evidence of Spain's medieval performance traditions precisely because this evidence is considered either intangible or "un-dramatic" (that is, monologic).

Table of Contents

  1. Cover
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  1. Title Page
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  1. Copyright
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  1. Contents
  2. pp. ix-x
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  1. Acknowledgments
  2. pp. xi-xii
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  1. Introduction
  2. pp. 1-12
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  1. Chapter One: Reinventing Thespis
  2. pp. 13-49
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  1. Chapter Two: Singers of Tales on Simple Stages
  2. pp. 50-89
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  1. Chapter Three: Picaresque Actors and Their Theater
  2. pp. 90-131
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  1. Chapter Four: “Corralling” the Jongleuresque
  2. pp. 132-170
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  1. Chapter Five: Playwrights and the Actorly Text
  2. pp. 171-214
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  1. Conclusion
  2. pp. 215-220
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  1. Notes
  2. pp. 221-230
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  1. Bibliography
  2. pp. 231-246
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  1. Index
  2. pp. 247-259
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  1. About the Author
  2. pp. 260-260
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