In this Book

Voicing the Void
summary
Explores the connections between muteness and the complicated acts of survival, testimony, memory, and interpretation, through focused readings of Holocaust fiction by Kosinski, Wiesel, Tournier, Ida Fink, and others. Through new close readings of Holocaust fiction, this book takes the field of Holocaust Studies in an important new direction. Reading a wide range of narratives representing different nationalities, styles, genders, and approaches, Horowitz demonstrates that muteness not only expresses the difficulty in saying anything meaningful about the Holocaust—it also represents something essential about the nature of the event itself. The radical negativity of the Holocaust ruptures the fabric of history and memory, emptying both narrative and life of meaning. At the heart of Holocaust fiction lies a tension between the silence that speaks the rupture, and the narrative forms that attempt to represent, to bridge it. This book argues that the central issues in Holocaust historiography and literary criticism are not simply prompted by the fictionality of imaginative literature—they are already embedded as self-critique in the fictional narratives. While the current critical discourse argues either for or against the unrepresentability of these events (and thus the appropriateness of imaginative literature), this book develops the theme of muteness as the central way in which literary texts explore and provisionally resolve these central issues. Focusing on the problem of muteness helps unfold the ambivalences and ambiguities that shape the way we read Holocaust fiction, and the way we think about the Holocaust itself.

Table of Contents

  1. Front Matter
  1. Front Cover
  2. restricted access Download |
  1. Half Title Page
  2. p. i
  3. restricted access Download |
  1. Title Page
  2. p. iii
  3. restricted access Download |
  1. Copyright Page
  2. p. iv
  3. restricted access Download |
  1. Table Of Contents
  2. p. v
  3. restricted access Download |
  1. Acknowledgements
  2. p. vii
  3. restricted access Download |
  1. Contents
  2. p. 1
  1. The Idea of Fiction
  2. pp. 1-32
  3. restricted access Download |
  1. The Figure of Muteness
  2. pp. 33-45
  3. restricted access Download |
  1. Voices from the Killing Ground
  2. pp. 47-69
  3. restricted access Download |
  1. The Mute Language of Brutality
  2. pp. 71-94
  3. restricted access Download |
  1. The Reluctant Witness
  2. pp. 95-107
  3. restricted access Download |
  1. Muted Chords
  2. pp. 109-156
  3. restricted access Download |
  1. The Night Side of Speech
  2. pp. 157-180
  3. restricted access Download |
  1. Refused Memory
  2. pp. 181-216
  3. restricted access Download |
  1. The Chain of Testimony
  2. pp. 217-226
  3. restricted access Download |
  1. Back Matter
  2. p. 227
  1. Notes
  2. pp. 227-243
  3. restricted access Download |
  1. Bibliography
  2. pp. 245-263
  3. restricted access Download |
  1. Index
  2. pp. 263-265
  3. restricted access Download |
  1. Back Cover
  2. restricted access Download |
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.