In this Book

summary
Selections from twenty-seven Hebrew poets, many of whose poems appear here in English for the first time. Poets on the Edge introduces four decades of Israel’s most vigorous poetic voices. Selected and translated by author Tsipi Keller, the collection showcases a generous sampling of work from twenty-seven established and emerging poets, bringing many to readers of English for the first time. Thematically and stylistically innovative, the poems chart the evolution of new currents in Hebrew poetry that emerged in the late 1950s and early 1960s and, in breaking from traditional structures of line, rhyme, and meter, have become as liberated as any contemporary American verse. Writing on politics, sexual identity, skepticism, intellectualism, community, country, love, fear, and death, these poets are daring, original, and direct, and their poems are matched by the freshness and precision of Keller’s translations.

Table of Contents

  1. Cover
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  1. Title Page, Copyright
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  1. CONTENTS
  2. pp. v-xv
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  1. PREFACE
  2. pp. xvii-xix
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  1. ACKNOWLEDGMENTS
  2. p. xxi
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  1. INTRODUCTION
  2. pp. xxiii-xxxv
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  1. YEHUDA AMICHAI
  2. pp. 1-8
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  1. I Was Not One of the Six Million. And What Is the Span of My Life? Open Shut Open
  2. pp. 1-4
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  1. The Precision of Pain and the Blurring of Bliss A Touch of Yearning in Everything
  2. pp. 4-5
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  1. My Parents’ Motel
  2. pp. 5-7
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  1. The Jewish Time Bomb
  2. pp. 7-8
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  1. T. CARMI
  2. pp. 9-23
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  1. And Until When?
  2. pp. 9-10
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  1. If It So Pleases
  2. pp. 10-11
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  1. Nightwatch
  2. p. 11
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  1. A Time for Everything
  2. pp. 12-13
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  1. Monologue of the Deserted (II)
  2. p. 13
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  1. In Memory of Dan Pagis (1930–1986)
  2. pp. 13-16
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  1. Monologue in the Twilight of His Life
  2. pp. 16-17
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  1. Lonely Woman’s Monologue
  2. p. 17
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  1. Chess at the Seashore
  2. p. 18
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  1. An Explosion in Jerusalem
  2. pp. 18-19
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  1. Mortification of the Soul
  2. pp. 19-20
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  1. The Mouth
  2. pp. 20-21
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  1. From the Diary of a Divorcé
  2. pp. 21-23
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  1. DAN PAGIS
  2. pp. 24-31
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  1. Tempt the Devil
  2. pp. 24-25
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  1. Ein Leben
  2. p. 25
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  1. Wall Calendar
  2. pp. 25-26
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  1. The End of Winter
  2. pp. 26-27
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  1. Memorial Night
  2. pp. 27-28
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  1. A Linguistic Problem
  2. p. 28
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  1. Diagnosis
  2. pp. 28-29
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  1. Anecdote
  2. p. 29
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  1. Testimony
  2. pp. 29-30
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  1. Browsing through the Album
  2. p. 30
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  1. Houses
  2. p. 31
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  1. NATAN ZACH
  2. pp. 32-44
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  1. A Belated Poem
  2. pp. 32-33
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  1. To Rise from Ashes
  2. pp. 33-34
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  1. Self-Portrait at Night
  2. pp. 34-35
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  1. Meantime
  2. p. 35
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  1. As Agreed
  2. p. 36
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  1. Three Poems That Weren’t Written
  2. pp. 36-38
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  1. Widow
  2. pp. 38-39
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  1. Hayuta
  2. pp. 39-40
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  1. Comrade Poet
  2. p. 40
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  1. A Small Error in the Machine
  2. p. 41
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  1. Goodbye Berlin
  2. pp. 41-42
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  1. Confession: Gentle
  2. pp. 42-43
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  1. And Then We Had
  2. pp. 43-44
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  1. SHIN SHIFRA
  2. pp. 45-55
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  1. That Made Me Woman
  2. pp. 45-46
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  1. The Spider of Sin
  2. p. 46
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  1. On Rain
  2. p. 46
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  1. Conceit
  2. p. 47
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  1. Lie
  2. p. 47
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  1. Father
  2. p. 47
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  1. A Stranger
  2. pp. 47-48
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  1. In This Split Second
  2. p. 48
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  1. Sabbath Prayer
  2. p. 48
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  1. Summer
  2. p. 49
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  1. This Evening
  2. p. 49
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  1. Ecclesiastes
  2. p. 50
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  1. Goat
  2. p. 50
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  1. Moonstruck
  2. p. 51
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  1. Dove
  2. pp. 51-52
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  1. Vegetarian
  2. p. 52
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  1. Shame
  2. p. 53
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  1. A Woman Who Practices How to Live
  2. pp. 53-55
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  1. ISRAEL HAR
  2. pp. 56-67
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  1. Morning in a Foreign Place
  2. pp. 56-57
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  1. Grave in the Sun
  2. pp. 57-58
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  1. A Cradle Story
  2. pp. 58-60
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  1. A Sour Pickle the Angel of Death
  2. pp. 60-61
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  1. Dust Instead of Glory
  2. pp. 61-63
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  1. Australian Story
  2. p. 63
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  1. Pauper’s Talk
  2. pp. 63-64
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  1. And Tomorrow I Too to Die Like This
  2. pp. 64-67
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  1. DAVID AVIDAN
  2. pp. 68-78
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  1. The Stain Remained on the Wall
  2. pp. 68-69
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  1. Housing
  2. pp. 69-70
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  1. Incident
  2. p. 71
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  1. Interim Summation
  2. pp. 72-73
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  1. Power of Attorney
  2. pp. 73-74
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  1. Personal Problems
  2. pp. 74-75
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  1. Dance Music
  2. p. 75
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  1. Will Power
  2. p. 76
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  1. Safe Distance
  2. pp. 76-77
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  1. Last-Last
  2. p. 77
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  1. Experiments in Hysterics
  2. pp. 77-78
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  1. DAHLIA RAVIKOVITCH
  2. pp. 79-94
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  1. An Exceptional Autumn
  2. pp. 79-80
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  1. An Attempt to Express an Opinion
  2. pp. 80-81
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  1. On Life and on Death
  2. pp. 81-82
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  1. Omens
  2. pp. 82-83
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  1. The Cat
  2. p. 83
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  1. Ready Alert
  2. pp. 83-84
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  1. Lying Upon the Water
  2. pp. 84-85
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  1. But She Had a Son
  2. pp. 85-86
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  1. Grand Days Have Gone by Her
  2. pp. 86-87
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  1. A Mother Goes About
  2. p. 88
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  1. The Tale about the Arab Who Died in the Fire
  2. pp. 88-89
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  1. Lullaby
  2. pp. 89-90
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  1. Train of Thought
  2. pp. 90-91
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  1. Rina Slavin
  2. pp. 91-93
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  1. The Greenness of Leaves
  2. p. 93
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  1. A Private History
  2. p. 94
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  1. A Beetle’s Life
  2. p. 94
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  1. ASHER REICH
  2. pp. 95-107
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  1. The History of My Heart
  2. pp. 95-96
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  1. Fragments
  2. pp. 96-97
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  1. New York: First Swim
  2. p. 97
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  1. New York: Second Swim
  2. pp. 97-98
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  1. Requiem to a Dog in the Rain
  2. p. 98
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  1. Sights
  2. p. 99
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  1. Mud
  2. pp. 99-100
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  1. Nights
  2. p. 100
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  1. Mornings
  2. pp. 101-103
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  1. The Music of the Cosmos
  2. p. 103
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  1. A Recurring Memory
  2. p. 104
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  1. Fence
  2. p. 104
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  1. Photograph
  2. p. 105
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  1. A Different Sensation
  2. pp. 105-106
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  1. Odors
  2. pp. 106-107
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  1. HEDVA HARECHAVI
  2. pp. 108-119
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  1. Tonight I Saw
  2. p. 108
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  1. When She Goes Out Alone
  2. p. 109
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  1. Imagine, Carving the Sky
  2. pp. 109-110
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  1. When the Music Subsided
  2. p. 111
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  1. Like Back Then When I Was Escorted
  2. p. 111
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  1. Like in the Passing Year
  2. pp. 111-112
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  1. Like a Binging Preying Beast
  2. pp. 112-113
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  1. A Very Cheerful Girl
  2. pp. 113-114
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  1. Go, Go Wherever You Go, But Go
  2. pp. 115-116
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  1. Already Night, Already Day
  2. pp. 116-117
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  1. For Ruth
  2. p. 118
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  1. Here Everything
  2. pp. 118-119
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  1. NURIT ZARHI
  2. pp. 120-129
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  1. For they are at the center of my life
  2. pp. 120-121
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  1. The rain reveals the hidden names of leaves
  2. pp. 121-122
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  1. Forgive my outburst, Sir
  2. p. 122
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  1. Baby Blues
  2. pp. 122-123
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  1. The Marked Ship
  2. p. 124
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  1. Convincing Herself She’s a Picture
  2. p. 125
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  1. Nights
  2. pp. 126-128
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  1. Lightly
  2. p. 128
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  1. Stone
  2. p. 129
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  1. MEIR WIESELTIER
  2. pp. 130-142
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  1. A Naive Painting
  2. pp. 130-131
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  1. To Be Continued
  2. pp. 131-132
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  1. Condolences
  2. p. 132
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  1. A Moving Electric Message
  2. pp. 132-133
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  1. Only in Hebrew
  2. p. 134
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  1. My Wisdom
  2. pp. 134-135
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  1. Cheese
  2. pp. 135-136
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  1. The Bible in Pictures II
  2. pp. 136-137
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  1. Burning Holy Books
  2. p. 137
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  1. The 19th Century: Nohant, June ’76
  2. p. 138
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  1. The Lost Uncles
  2. p. 139
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  1. The Fowl of the Air
  2. p. 139
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  1. The Flower of Anarchy
  2. pp. 140-141
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  1. Not a Poem
  2. p. 141
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  1. A Childish Farewell Song to a Prime Minister
  2. p. 141
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  1. The Wheel of the Century
  2. p. 142
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  1. RUTH BLUMERT
  2. pp. 143-155
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  1. Antiques
  2. p. 143
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  1. The Combination
  2. p. 144
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  1. In Time
  2. pp. 144-145
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  1. Entropy
  2. p. 145
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  1. Chances
  2. pp. 145-146
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  1. Breaks
  2. p. 146
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  1. The Departure from the Garden of Eden
  2. pp. 146-147
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  1. Jerusalem, Bus #18, 1986
  2. pp. 147-149
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  1. Waves of Love
  2. p. 149
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  1. Silent Film
  2. p. 150
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  1. Letter
  2. pp. 150-152
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  1. Additional Dimensions
  2. p. 152
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  1. Metamorphosis
  2. pp. 152-153
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  1. Morning
  2. p. 153
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  1. Lost in the Alleys of the Flat
  2. pp. 153-154
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  1. Most of the time I doze
  2. pp. 154-155
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  1. YONA WALLACH
  2. pp. 156-168
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  1. All the Trees
  2. pp. 156-157
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  1. House Said the House
  2. pp. 157-158
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  1. Come to Me Like a Capitalist
  2. pp. 158-159
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  1. Tuvia
  2. pp. 159-161
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  1. Sleep with Me Like a Journalist
  2. pp. 161-162
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  1. Come to Me Like a Jew
  2. p. 163
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  1. Let’s Make a Little Philosophy
  2. p. 164
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  1. All At Once Everything Seems Dear
  2. pp. 164-165
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  1. Woman Becomes Tree
  2. pp. 165-166
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  1. When You Come Lie with Me Come Like My Father
  2. pp. 167-168
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  1. RAQUEL CHALFI
  2. pp. 169-184
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  1. Traveling to Jerusalem on a Moon Night
  2. p. 169
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  1. Hair of Night
  2. pp. 170-171
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  1. The Water Queen of Jerusalem
  2. pp. 171-172
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  1. Reckless Love
  2. pp. 172-173
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  1. I Drew My End Near
  2. p. 173
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  1. Sitting in the Wall
  2. p. 174
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  1. Monologue of the Witch Impregnated by the Devil
  2. pp. 174-175
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  1. And the Whiteness Grew Stark
  2. pp. 175-176
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  1. Elegy for a Friend Who Lost Her Mind
  2. pp. 176-177
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  1. A Concealed Passenger
  2. p. 177
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  1. Blues in a Jar
  2. pp. 177-178
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  1. German Boot
  2. pp. 178-184
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  1. MORDECHAI GELDMAN
  2. pp. 185-197
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  1. Friendly Dragon
  2. pp. 185-187
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  1. Porno 2
  2. p. 187
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  1. Porno 3
  2. p. 188
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  1. The Hottentot Venus (Porno 7)
  2. pp. 188-190
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  1. Holy Ground
  2. pp. 190-191
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  1. Dolinger
  2. pp. 191-193
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  1. Tonight I Yield
  2. p. 193
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  1. I Won’t Travel This Summer
  2. pp. 193-195
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  1. Abused Neighbor
  2. p. 195
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  1. Yes
  2. p. 196
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  1. Why a Frog
  2. pp. 196-197
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  1. Almost Flowers
  2. p. 197
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  1. RUTH RAMOT
  2. pp. 198-207
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  1. Blue Prince
  2. p. 198
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  1. I leave, taking with me
  2. p. 199
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  1. They Assault Me the Flowers
  2. p. 199
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  1. Quiet and an evening breeze
  2. p. 200
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  1. In the Soft Curve
  2. pp. 200-201
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  1. The Scent of Wind
  2. p. 201
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  1. Painting
  2. pp. 201-202
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  1. The moon doesn’t fit here / Toward Evening
  2. pp. 202-203
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  1. Hot in the Corner Café
  2. pp. 203-204
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  1. Arithmetic
  2. p. 204
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  1. Time-Saturated
  2. p. 204
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  1. Love Song
  2. p. 205
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  1. Room Number Forty
  2. pp. 205-206
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  1. Nuns
  2. pp. 206-207
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  1. Yesterday when I sat in the café
  2. p. 207
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  1. AGI MISHOL
  2. pp. 208-222
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  1. So Overbearing Had Become
  2. pp. 208-209
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  1. I remember a short speech
  2. p. 209
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  1. It Seems Miraculous to Her
  2. p. 210
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  1. Turning to Rest in Sappho’s Poems
  2. pp. 210-211
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  1. Afternoon Nap
  2. p. 211
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  1. The Interior Plain
  2. pp. 211-212
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  1. Revelation
  2. p. 212
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  1. Like a Bird Tagged
  2. p. 212
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  1. In Her Bed
  2. pp. 212-213
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  1. The Sacred Cow of Hardship
  2. pp. 213-214
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  1. The Irritating Manner in Which I Exist in Your Fancy
  2. p. 214
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  1. From the Depth I Called Hey
  2. pp. 214-215
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  1. When Soft Angel Plumage
  2. p. 215
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  1. Morning and She Pees
  2. pp. 215-216
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  1. Estate
  2. pp. 216-217
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  1. Woman with Pitchfork
  2. pp. 217-218
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  1. Nocturnal I
  2. pp. 218-219
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  1. Nocturnal II
  2. pp. 220-221
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  1. Shaheeda
  2. pp. 221-222
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  1. DAN ARMON
  2. pp. 223-235
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  1. The Squash Watchman
  2. p. 223
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  1. The Apple the Cucumber and the Plum
  2. p. 224
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  1. Midas of Sugar
  2. pp. 224-225
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  1. Stairwell
  2. pp. 225-226
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  1. In a temporary shelter
  2. pp. 226-227
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  1. Play in the Kitchen
  2. pp. 227-228
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  1. In a gesture of argument
  2. pp. 228-229
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  1. Eight Short Ones
  2. pp. 229-230
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  1. Baking
  2. pp. 230-231
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  1. A dark backyard
  2. p. 231
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  1. Fire
  2. pp. 231-232
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  1. Candle
  2. p. 232
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  1. The wondrous wilting of a flower
  2. pp. 232-233
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  1. Song of the Valley
  2. pp. 233-234
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  1. We’ve stabilized the emotion
  2. p. 234
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  1. Travel
  2. pp. 234-235
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  1. YITZHAK LAOR
  2. pp. 236-243
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  1. A Note
  2. pp. 236-237
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  1. Silhouette
  2. p. 237
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  1. Sleeping in Another Place
  2. pp. 237-238
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  1. Poetry
  2. pp. 238-239
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  1. Gouging
  2. p. 239
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  1. Sweat
  2. pp. 239-240
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  1. The Narrator’s Death
  2. pp. 240-243
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  1. MAYA BEJERANO
  2. pp. 244-254
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  1. Poetry
  2. pp. 244-245
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  1. Data Processing #10
  2. pp. 245-246
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  1. Data Processing #12
  2. pp. 246-247
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  1. Data Processing #14
  2. pp. 247-248
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  1. Lust
  2. pp. 248-249
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  1. Don’t Stop the Motion
  2. p. 249
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  1. Passion-Dress
  2. pp. 249-250
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  1. The Hands of Autumn
  2. p. 250
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  1. A Galilean Landscape, Important to Note
  2. pp. 251-252
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  1. Pecan Leaves
  2. pp. 252-254
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  1. RONNY SOMECK
  2. pp. 255-266
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  1. Dog After Dog
  2. pp. 255-256
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  1. Greek Music
  2. p. 256
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  1. Solo
  2. p. 257
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  1. A Soldier in the Desert. A Romance in Photos
  2. pp. 257-258
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  1. Johnny
  2. p. 258
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  1. From a Distance the Tombstones Look Like a Flock of Storks
  2. pp. 258-259
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  1. Handcuffs. Street Poem
  2. pp. 259-260
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  1. Poverty Line
  2. p. 260
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  1. Jasmine. A Poem on Sandpaper
  2. pp. 260-261
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  1. Autumn. A French Movie
  2. p. 261
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  1. Tear Comptroller Report
  2. pp. 261-262
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  1. Thirty Seconds to Charge the Nipple
  2. p. 262
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  1. Tractors
  2. pp. 262-263
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  1. Lions’ Milk
  2. p. 263
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  1. Poem to a Girl Already Born
  2. p. 263
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  1. In Answer to a Question: When Did Your Peace Begin?
  2. p. 264
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  1. A Pound of Child
  2. p. 264
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  1. Blues on the Life That Was Almost Mine
  2. pp. 264-265
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  1. Rice Paradise
  2. pp. 265-266
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  1. HAVA PINHAS-COHEN
  2. pp. 267-275
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  1. Explicitly Named
  2. pp. 267-268
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  1. On the Eve of the Holiday
  2. pp. 268-269
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  1. Fear
  2. pp. 269-270
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  1. Variable Texture
  2. p. 270
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  1. Boundaries
  2. p. 271
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  1. Time
  2. pp. 271-272
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  1. Pietà
  2. p. 272
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  1. The Way to the River
  2. p. 273
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  1. A Hand Empty of Body
  2. pp. 273-275
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  1. AMIR OR
  2. pp. 276-289
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  1. A Pint of Beer
  2. p. 277
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  1. From the White Dictionary
  2. pp. 277-279
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  1. No Trail Markers
  2. pp. 279-281
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  1. Synopsis
  2. pp. 281-282
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  1. Immortal
  2. p. 282
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  1. Poem
  2. pp. 282-289
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  1. TAMIR GREENBERG
  2. pp. 290-303
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  1. Ode
  2. pp. 290-292
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  1. Son
  2. pp. 292-293
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  1. Dusk
  2. p. 294
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  1. Elegy
  2. pp. 294-299
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  1. My Grandma Rachel Age Fifteen
  2. pp. 299-300
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  1. Annabel Lee
  2. p. 301
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  1. Poetics 1
  2. p. 301
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  1. Poetics 2
  2. p. 302
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  1. Poetics 3
  2. p. 302
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  1. Journey 1
  2. p. 302
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  1. Journey 2
  2. pp. 302-303
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  1. SHARRON HASS
  2. pp. 304-314
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  1. Our Life Is the Life of Beasts
  2. pp. 304-305
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  1. To the Fox
  2. pp. 305-306
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  1. The Stranger
  2. pp. 306-309
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  1. The Great Illusion
  2. p. 309
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  1. The Flutist
  2. pp. 309-310
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  1. I Stand in the Circle and Look Around Me
  2. p. 310
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  1. Afternoon Slumber
  2. p. 310
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  1. Smooth Boys
  2. pp. 310-312
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  1. The Sun’s Mooring
  2. pp. 312-313
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  1. The Girl Fumbles
  2. p. 313
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  1. Beyond the Forest
  2. pp. 313-314
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  1. AFTERWORD: The Poems of Irit Katzir
  2. pp. 315-326
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  1. Sylvia, Sylvia
  2. pp. 315-316
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  1. In the Darkness
  2. p. 316
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  1. My Fancy Is an Island
  2. pp. 316-317
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  1. Hell and Back
  2. pp. 317-318
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  1. If I Were a Poet
  2. pp. 318-319
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  1. Do You Know
  2. p. 319
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  1. Yes, it is true
  2. pp. 319-320
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  1. Captive of the Image
  2. p. 320
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  1. I Saw You
  2. p. 321
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  1. I Bemoan
  2. pp. 321-322
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  1. For who is to say
  2. p. 322
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  1. Why Did You Come
  2. pp. 322-323
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  1. Ailing But Not Ill
  2. pp. 323-324
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  1. I Wanted
  2. pp. 324-325
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  1. When You Spread Your Hands
  2. p. 325
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  1. Winter, when the man of light left
  2. p. 326
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  1. Every Sleep
  2. p. 326
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  1. ABOUT THE AUTHORS
  2. p. 327
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  1. INDEX OF TITLES AND FIRST LINES
  2. pp. 329-339
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Additional Information

ISBN
9780791477144
Related ISBN
9780791476857
MARC Record
OCLC
272404399
Pages
376
Launched on MUSE
2012-02-08
Language
English
Open Access
No
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