Front Matter

Front Cover

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Title Page

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Copyright Page

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Table Of Contents

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pp. vii-viii

Abbreviations

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pp. ix-x

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Preface

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pp. xi-xii

A visitor to Germany today will find only fragmentary remains of the old, pre-Holocaust German-Jewish culture. The Jews living in Germany today do not, for the most part, descend from the flourishing Jewish communities of 1920s Berlin or Frankfurt. Still, through the monuments, memorials, and restored synagogues of 1990s Germany, it is possible to reexperience a piece of the old German-Jewish ...

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Acknowledgments

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p. xiii

For permission to include copyright material in this volume, acknowledgment is gratefully made to the following publishers: Jewish Publication Society: for excerpts from "Romantic Religion,"...

Contents

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Chapter 1 Introduction

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pp. 1-28

Franz Rosenzweig (1886-1929) lived through two of the most extreme periods of modern German history: World War I and the Weimar Republic. Even in a national history beset by extremes, these two relatively short time spans stand out, the first for the cataclysmic ...

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Chapter 2 A Reading of The Star of Redemption through "Romantic Religion"

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pp. 29-120

A common publication year of 1921 might seem the only affinity between Franz Rosenzweig's The Star of Redemption and the second edition of Leo Baeck's Essence of Judaism. When Rosenzweig reviewed the Essence of Judaism, in "Apologetic Thinking," published ...

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Chapter 3 A Reading of The Philosophy of Art against "Romantic Religion"

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pp. 121-176

A "philosophy of art" hardly seems an appropriate test case for Baeck's theory of romantic religion. Art may claim to be an important part of that theory, but never the whole. And yet Schelling might advance his own The Philosophy of Art as a valid test of Baeck's theory, on grounds of a principle repeatedly stated in that work, that the part ...

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Chapter 4 A Reading of The Star of Redemption through The Philosophy of Art

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pp. 177-264

In Rosenzweig's commentary on the "Oldest System-Program of German Idealism," the author of which he takes to be Schelling, he staunchly maintains that we may no longer name Schelling "the Proteus of Idealism."1 This epithet fell to Schelling because of the...

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Chapter 5 Conclusions

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pp. 265-270

In large measure, Baeck's theory of romanticism fails the test of Schelling's The Philosophy of Art. Redemption is not clearly the de terminative category of Schelling's Kunstreligion, nor is it unambiguously subsumable under experience, feeling, or passivity. Ethics is not dismissed from The Philosophy of Art, but receives two articu ...

Back Matter

Notes

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pp. 271-294

Index

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pp. 295-306

Back Cover

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