Books Received

Abel, Richard, and Rick Altman, eds. The Sounds of Early Cinema. Bloomington: Indiana University Press, 2001.

Abrams, Nathan, Ian Bell, and Jan Udris. Studying Film. New York: Oxford University Press, 2001.

Bernardi, Daniel, ed. Classic Hollywood, Classic Whiteness. Minneapolis: University of Minnesota Press, 2001.

Chion, Michel. Kubrick's Cinema Odyssey. Trans. Claudia Gorbman. London: British Film Institute, 2001.

CineAction 54. Toronto: CineAction Collective, 2001.

Focus 21. Santa Barbara, CA: Wilson Printing, 2001.

Givanni, June, ed. Symbolic Narratives/African Cinema: Audiences, Theory, and the Moving Image. London: British Film Institute, 2000.

Iris: A Journal of Theory on Image and Sound 29. Iowa City, IA: Institute for Cinema and Culture, 2001.

Jayamanne, Laleen. Toward Cinema and Its Double: Cross-Cultural Mimesis. Bloomington: Indiana University Press, 2001.

Journal of Scholarly Publishing 33.1. Toronto: University of Toronto Press, 2001.

King, John, Sheila Whitaker, and Rosa Bosch, eds. An Argentine Passion: María Luisa Bemberg and Her Films. New York: Verso, 2000.

Lévy, Pierre. Cyberculture. Trans. Robert Bononno. Minneapolis: University of Minnesota Press, 2001.

Lewis, Jon. The End of Cinema As We Know It: American Film in the Nineties. New York: New York University Press, 2001.

Loshitzky, Yosefa. Identity Politics on the Israeli Screen. Austin: University of Texas Press, 2001.

Lu, Tonglin. Confronting Modernity in the Cinemas of Taiwan and Mainland China. New York: Cambridge University Press, 2002.

MacDonald, Scott. The Garden in the Machine: A Field Guide to Independent Films about Place. Berkeley: University of California Press, 2001.

Mazdon, Lucy. Encore Hollywood: Remaking French Cinema. London: British Film Institute, 2000.

Nichols, Bill. Introduction to Documentary. Bloomington: Indiana University Press, 2001.

———, ed. Maya Deren and the American Avant-Garde. Berkeley: University of California Press, 2001.

Petrie, Graham. Hollywood Destinies: European Directors in America, 1922-1931. Detroit, MI: Wayne State University Press, 2001.

Phillips, Patrick. Understanding Film Texts: Meaning and Experience. London: British Film Institute, 2000.

Projansky, Sarah. Watching Rape: Film and Television in Postfeminist Culture. New York: New York University Press, 2001.

Rea, Tom. Bone Wars: The Excavation and Celebrity of Andrew Carnegie's Dinosaur. Pittsburgh, PA: Pittsburgh University Press, 2001.

Roberts, Graham, and Heather Wallis. Introducing Film. New York: Oxford University Press, 2001.

Rosen, Philip. Change Mummified: Cinema, Historicity, Theory. Minneapolis: University of Minnesota Press, 2001.

Salecl, Renata, ed. Sexuation. Durham, NC: Duke University Press, 2000.

Staiger, Janet. Perverse Spectators: The Practices of Film Reception. New York: New York University Press, 2000.

Toles, George. A House Made of Light: Essays on the Art of Film. Detroit, MI: Wayne State University Press, 2001.