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Books Received
- Camera Obscura
- Duke University Press
- 50 (Volume 17, Number 2), 2002
- pp. 218-219
- Article
- Additional Information
Camera Obscura 17.2 (2002) 218-219
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Books Received
Abel, Richard, and Rick Altman, eds. The Sounds of Early Cinema. Bloomington: Indiana University Press, 2001.
Abrams, Nathan, Ian Bell, and Jan Udris. Studying Film. New York: Oxford University Press, 2001.
Bernardi, Daniel, ed. Classic Hollywood, Classic Whiteness. Minneapolis: University of Minnesota Press, 2001.
Chion, Michel. Kubrick's Cinema Odyssey. Trans. Claudia Gorbman. London: British Film Institute, 2001.
CineAction 54. Toronto: CineAction Collective, 2001.
Focus 21. Santa Barbara, CA: Wilson Printing, 2001.
Givanni, June, ed. Symbolic Narratives/African Cinema: Audiences, Theory, and the Moving Image. London: British Film Institute, 2000.
Iris: A Journal of Theory on Image and Sound 29. Iowa City, IA: Institute for Cinema and Culture, 2001.
Jayamanne, Laleen. Toward Cinema and Its Double: Cross-Cultural Mimesis. Bloomington: Indiana University Press, 2001.
Journal of Scholarly Publishing 33.1. Toronto: University of Toronto Press, 2001.
King, John, Sheila Whitaker, and Rosa Bosch, eds. An Argentine Passion: María Luisa Bemberg and Her Films. New York: Verso, 2000.
Lévy, Pierre. Cyberculture. Trans. Robert Bononno. Minneapolis: University of Minnesota Press, 2001.
Lewis, Jon. The End of Cinema As We Know It: American Film in the Nineties. New York: New York University Press, 2001.
Loshitzky, Yosefa. Identity Politics on the Israeli Screen. Austin: University of Texas Press, 2001.
Lu, Tonglin. Confronting Modernity in the Cinemas of Taiwan and Mainland China. New York: Cambridge University Press, 2002.
MacDonald, Scott. The Garden in the Machine: A Field Guide to Independent Films about Place. Berkeley: University of California Press, 2001.
Mazdon, Lucy. Encore Hollywood: Remaking French Cinema. London: British Film Institute, 2000.
Nichols, Bill. Introduction to Documentary. Bloomington: Indiana University Press, 2001.
———, ed. Maya Deren and the American Avant-Garde. Berkeley: University of California Press, 2001.
Petrie, Graham. Hollywood Destinies: European Directors in America, 1922-1931. Detroit, MI: Wayne State University Press, 2001.
Phillips, Patrick. Understanding Film Texts: Meaning and Experience. London: British Film Institute, 2000.
Projansky, Sarah. Watching Rape: Film and Television in Postfeminist Culture. New York: New York University Press, 2001.
Rea, Tom. Bone Wars: The Excavation and Celebrity of Andrew Carnegie's Dinosaur. Pittsburgh, PA: Pittsburgh University Press, 2001.
Roberts, Graham, and Heather Wallis. Introducing Film. New York: Oxford University Press, 2001.
Rosen, Philip. Change Mummified: Cinema, Historicity, Theory. Minneapolis: University of Minnesota Press, 2001.
Salecl, Renata, ed. Sexuation. Durham, NC: Duke University Press, 2000.
Staiger, Janet. Perverse Spectators: The Practices of Film Reception. New York: New York University Press, 2000.
Toles, George. A House Made of Light: Essays on the Art of Film. Detroit, MI: Wayne State University Press, 2001.
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