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Camera Obscura 16.1 (2001) 180-181



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Books Received


Andrew, Dudley, and Carole Cavanaugh. Sanshô Dayû. London: British Film Institute, 2000.

Barlow, Melinda, ed. Mary Lucier. Baltimore, MD: Johns Hopkins University Press, 2000.

Carroll, Michael T., and Eddie Tafoya, eds. Phenomenological Approaches to Popular Culture. Bowling Green, OH: Bowling Green State University Popular Press, 2000.

DalMolin, Eliane. Cutting the Body: Representing Women in Baudelaire's Poetry, Truffaut's Cinema, and Freud's Psychoanalysis. Ann Arbor: University of Michigan Press, 2000.

Eberwein, Robert. Sex Ed: Film, Video, and the Framework of Desire. New Brunswick, NJ: Rutgers University Press, 1999.

Gledhill, Christine, and Linda Williams, eds. Reinventing Film Studies. London: Arnold, 2000.

Glynn, Kevin. Tabloid Culture: Trash Taste, Popular Power, and the Transformation of American Television. Durham, NC: Duke University Press, 2000.

Gras, Vernon, and Marguerite Gras, eds. Peter Greenaway: Interviews. Jackson: University Press of Mississippi, 2000.

Hollows, Joanne, Peter Hutchings, and Mark Jancovich, eds. The Film Studies Reader. London: Arnold, 2000.

Howlett, Kathy M. Framing Shakespeare on Film. Athens: Ohio University Press, 2000.

Kaplan, E. Ann. Feminism and Film. New York: Oxford University Press, 2000.

Lewis, Jon. Hollywood v. Hardcore: How the Struggle Over Censorship Created the Modern Film Industry. New York: New York University Press, 2000.

Limon, John. Stand-up Comedy in Theory, or Abjection in America. Durham, NC: Duke University Press, 2000.

Mitchell, Timothy, ed. Questions of Modernity. Minneapolis: University of Minnesota Press, 2000.

Post Identity 2.2. Detroit: University of Detroit Mercy, 1999.

Saleci, Renata, ed. Sexuation. Durham, NC: Duke University Press, 2000.

Sconce, Jeffrey. Haunted Media: Electronic Presence from Telegraphy to Television. Durham, NC: Duke University Press, 2000.

Smith, Paul Julian. Desire Unlimited: The Cinema of Pedro Almodóvar. 2d ed. London: Verso, 2000.

Staiger, Janet. Perverse Spectators: The Practices of Film Reception. New York: New York University Press, 2000.

Sturken, Marita. Thelma and Louise. London: British Film Institute, 2000.

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