Books Received

Allen, Richard, and Ishii Gonzales, eds. Alfred Hitchcock: Centenary Essays. London: British Film Institute, 1999.

Bergstrom, Janet, ed. Endless Night: Cinema and Psychoanalysis, Parallel Histories. Berkeley: University of California Press, 1999.

Doherty, Thomas. Pre-Code Hollywood: Sex, Immortality, and Insurrection in American Cinema, 1930-1934. New York: Columbia University Press, 1999.

Freccero, Carla. Popular Culture: An Introduction. New York: New York University Press, 1999.

Freeland, Cynthia A. The Naked and the Undead: Evil and the Appeal of Horror. Boulder, CO: Westview Press, 2000.

Gagneur, Louise M. The Nihilist Princess. Gualala, CA: III Publishing, 1999.

Jappe, Anselm. Guy Debord, trans. Donald Nicholson-Smith. Berkeley: University of California Press, 1999.

Kaplan, Caren, Norma Alarcon, and Minoo Moallem, eds. Between Woman and Nation: Nationalisms, Transnational Feminisms, and the State. Durham, NC: Duke University Press, 1999.

Kilpatrick, Jacquelyn. Celluloid Indians: Native Americans and Film. Lincoln: University of Nebraska Press, 1999.

Knopf, Robert. The Theater and Cinema of Buster Keaton. Princeton, NJ: Princeton University Press, 1999.

Mavor, Carol. Becoming: The Photographs of Clementina, Viscountess Hawarden. Durham, NC: Duke University Press, 1999.

Minh-ha, Trinh T. Cinema Interval. New York: Routledge, 1999.

Olkowski, Dorothea. Gilles Deleuze and the Ruin of Representation. Berkeley: University of California Press, 1999.

Plantinga, Carl, and Greg M. Smith, eds. Passionate Views: Film, Cognition, and Emotion. Baltimore, MD: Johns Hopkins University Press, 1999.

Porton, Richard. Film and the Anarchist Imagination. London: Verso, 1999.

Sandler, Kevin S., and Gaylyn Studlar, eds. Titanic: Anatomy of a Blockbuster. New Brunswick, NJ: Rutgers University Press, 1999.

Schaefer, Eric. "Bold! Daring! Shocking! True!": A History of Exploitation Films, 1919-1959. Durham, NC: Duke University Press, 1999.

Sharrett, Christopher, ed. Mythologies of Violence in Postmodern Media. Detroit, MI: Wayne State University Press, 1999.

Stokes, Melvyn, and Richard Maltby, eds. American Movie Audiences: From the Turn of the Century to the Early Sound Era. London: British Film Institute Publishing, 1999.

Thornham, Sue, ed. Feminist Film Theory: A Reader. New York: New York University Press, 1999.

Treichler, Paula A. How to Have Theory in an Epidemic: Cultural Chronicles of AIDS. Durham, NC: Duke University Press, 1999.

Wager, Jans B. Dangerous Dames: Women and Representation in the Weimar Street Film and Film Noir. Athens: Ohio University Press, 1999.

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