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Historiography and Sinification: Music in Chinese Cinema of the 1930s
- Cinema Journal
- University of Texas Press
- 41, Number 3, Spring 2002
- pp. 78-97
- 10.1353/cj.2002.0012
- Article
- Additional Information
Sinification, in the sense of rendering Chinese, or indigenizing a foreign medium, has been a dominant discourse in Chinese film historiography. This article analyzes film music in Chinese cinema of the 1930s and argues that sinification should not be taken as a natural or inevitable process but instead should be viewed as a conditional, negotiated practice, subject to intertwined industrial and political mediations.