Abstract

This essay aligns the emphasis on color in Krzysztof Kieslowski's "Three Colors" trilogy with his explicit renunciation of political discourse. The trilogy undermines the bipolarity so often associated with such discourse through the antithetical meanings its narratives associate with the colors and through the existentialism that propels each of the principal characters unexpectedly from one position to its opposite.

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Additional Information

ISSN
2578-4919
Print ISSN
2578-4900
Pages
pp. 41-66
Launched on MUSE
2002-02-01
Open Access
No
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