Abstract

This article interrogates Kitano "Beat" Takeshi's Hana-Bi (Fireworks, 1997) for its appropriation of traditional Japanese iconography and its insertion into a global marketplace for Asian auteur-gangster films.

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Additional Information

ISSN
1527-2087
Print ISSN
0009-7101
Pages
pp. 55-80
Launched on MUSE
2001-08-01
Open Access
No
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