Abstract

This essay examines Chinese television drama in the 1990s. It focuses on soap operas involving transnational romances between Chinese men and Russian and American women. The construction of Chinese masculinity through the foreign woman has become a new way of imagining national identity in the age of globalization.

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Additional Information

ISSN
2578-4919
Print ISSN
2578-4900
Pages
pp. 25-47
Launched on MUSE
2000-11-01
Open Access
No
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