Abstract

By focusing on genre, landscape, and gender in relation to Mexican national identity, a close reading of Alex Cox's 1992 Mexican road movie, Highway Patrolman (El patrullero), reveals the complexities and contradictions of contemporary transnational, independent filmmaking.

Additional Information

ISSN
2578-4919
Print ISSN
2578-4900
Pages
pp. 74-99
Launched on MUSE
2000-02-01
Open Access
No
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