Abstract

The intersection of racial identity and narrative structure in blaxploitation horror films produced a potential critique of both social and generic racism, as well as a significant variation in how the genre classically figures normality and monstrosity.

Additional Information

ISSN
2578-4919
Print ISSN
2578-4900
Pages
pp. 31-50
Launched on MUSE
2000-02-01
Open Access
No
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