Abstract

Abstract:

The Edinburgh Fringe Festival celebrated its seventiethanniversary in 2017. This review focuses on the degrees to which its internationalism is intercultural and to which the Fringe continues to be open access. In spite of curatorial constraints, it concludes, any individual's experience of the festival depends on their own curation.

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Additional Information

ISSN
1920-941X
Print ISSN
0315-0836
Pages
pp. 90-93
Launched on MUSE
2019-02-09
Open Access
No
Archive Status
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