Authors of Articles in this Issue
- Authors of Articles in this Issue
ross w. duffin is Fynette H. Kulas Professor of Music Emeritus and Distinguished University Professor at Case Western Reserve University. A winner of both the Noah Greenberg and Claude V. Palisca Awards from the American Musicological Society, he has published on musical iconography, historical pronunciation, theory, improvisation, and tuning. His previous work on English theatre songs includes Shakespeare’s Songbook (New York, 2004), and Some Other Note: The Lost Songs of English Renaissance Comedy (New York and Oxford, 2018).
alexander stefaniak is Assistant Professor of Music at Washington University in Saint Louis, where his research explores virtuosity, piano music and performance, and nineteenth-century musical aesthetics. He is the author of Schumann’s Virtuosity: Criticism, Composition, and Performance in Nineteenth-Century Germany (Indiana University Press, 2016); his work has also appeared in the Journal of Musicology and the Journal of the American Musicological Society. Currently, he is at work on a project about Clara Schumann’s performances and compositions.
inge van rij is a Senior Lecturer in musicology at Victoria University of Wellington, New Zealand. She is the author of Brahms’s Song Collections (Cambridge, 2006) and The Other Worlds of Hector Berlioz: Travels with the Orchestra (Cambridge, 2015), as well as articles for 19th-Century Music, Cambridge Opera Journal, and Women and Music.
samuel wilson’s research focuses on music in the context of the changing intellectual and material conditions of late modernity. He has published on contemporary music and Critical Theory, post-humanism, and phenomenology, and edited Music—Psychoanalysis—Musicology (Routledge, 2018). He teaches aesthetics at Guildhall School of Music and Drama and critical interdisciplinary studies at London Contemporary Dance School.
