-
The Cancionero de obras de burlas (1519) and its Valencian Audience
- La corónica: A Journal of Medieval Hispanic Languages, Literatures, and Cultures
- La corónica: A Journal of Medieval Hispanic Languages, Literatures, and Cultures
- Volume 46, Number 2, Spring 2018
- pp. 55-78
- 10.1353/cor.2018.0003
- Article
- Additional Information
- Purchase/rental options available:
Rent from DeepDyve
Abstract
Abstract:
The article maintains that the Cancionero de obras de burlas (1519) was specifically tailored to appeal to a Valencian audience. Most of the works it contains, Pleyto del manto, Aposento en Juvera, the two compositions ascribed to the Count of Paredes and Carajicomedia, for example, all have to do with the city or the interests of its inhabitants in one way or another.
collapse
You are not currently authenticated.
If you would like to authenticate using a different subscribed institution or have your own login and password to Project MUSE
Authenticate
- Purchase/rental options available:
