Contributors
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BENJAMIN CHILD <bchild@colgate.edu> is an assistant professor in the Department of English at Colgate University. He has published essays on Bob Dylan, William Eggleston, Cormac McCarthy, and the Cinema Novo movement. His forthcoming monograph is Uneven Ground: Figurations of the Rural Modern in the U.S. South.
GABRIELLA FRIEDMAN <gf258@cornell.edu> is a PhD candidate in the Department of English at Cornell University. She specializes in contemporary American literature with particular emphases on African American literature, Native American literature, novel studies, and speculative fiction. Her dissertation explores how speculative fiction generates new modes of historicizing.
ANDREW HAMMOND <a.n.hammond@brighton.ac.uk> is a Senior Lecturer in English Literature at the University of Brighton. In both research and teaching, he specializes in Cold War literature, postcolonial literature, and post-1945 British and European literature. He is the author of over twenty-five academic articles and nine book-length studies, including British Fiction and the Cold War (2013) and the edited collections The Novel and Europe (2016) and Global Cold War Literature (2012).
ANNA JÖRNGÅRDEN <anna.jorngarden@littvet.su.se> is a research fellow in comparative literature at the Department of Culture and Aesthetics, Stockholm University and Birkbeck, University of London, whose research revolves around questions of emotions and affects in relation to time and space. Her first book (2012) concerns nostalgia in Scandinavian fin de siècle literature. Her work also appears in French Studies and Clio: A Journal of Literature, History and the Philosophy of History.
MARTIN B. LOCKERD <mlockerd@schreiner.edu> is Assistant Professor of English at Schreiner University in the beautiful Texas Hill Country. His forthcoming manuscript, Decadent Catholicism in the Age of Modernism, explores the diverse ways in which writers central and peripheral to literary modernism wrestled with the legacy of late-Victorian Decadence and the religion that animated it. His scholarship has appeared in the Journal of Modern Literature and the Yeats/Eliot Review.
ALEKSANDR PRIGOZHIN <aleksandr.prigozhin@gmail.com> is an assistant professor in the Department of English and Literary Arts at the University of Denver. He is at work on a book manuscript that examines the figural uses of atmospheric media in British Modernism. [End Page 394]
