Abstract

Abstract:

The authors cover recent advances in ecologically grounded creative practice, highlighting performative strategies in instrumental writing. They address techniques adopted in ecocomposition and propose an expansion of the available resources by introducing a new method: creative semantic anchoring. The underlying concepts are presented and a case study—targeting the performative practice of Flausino Valle's 26 Characteristic and Concert Preludes for Solo Violin—is described.

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Additional Information

ISSN
1530-9282
Print ISSN
0024-094X
Pages
pp. 195-196
Launched on MUSE
2018-04-17
Open Access
N
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