Abstract

ABSTRACT:

In this short biography, Edmond Couchot tells how, after having attempted a plastic-art synthesis between gestural painting and lumino-kineticism, he became interested in cybernetics and visual arts and the participation of the spectator in aesthetic perception. Then we learn how, in the early 1980s, he took part in the creation of a new degree course in art and technology of the image at the University of Paris-VIII.

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Additional Information

ISSN
1530-9282
Print ISSN
0024-094X
Pages
pp. 143-144
Launched on MUSE
2018-04-17
Open Access
N
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