Authors of Articles in this Issue

georgina born obe fba is Professor of Music and Anthropology at the University of Oxford and Fellow of Mansfield College. In 2014 she gave the Bloch Lectures in Music at the University of California, Berkeley, and held the Schulich Distinguished Visiting Chair in Music at McGill University. From 2010 to 2016 she directed the European Research Council-funded research programme 'Music, Digitization, Mediation: Towards Interdisciplinary Music Studies'. She currently chairs the Culture, Media and Performance group of the British Academy. Recent books are Music, Sound and Space (ed., 2013), Interdisciplinarity (ed. with Andrew Barry, 2013), and Improvisation and Social Aesthetics (ed. with Eric Lewis and Will Straw, 2017).

yael braunschweig received her Ph.D. in the history and literature of music from the University of California, Berkeley. Her dissertation examined the ways biographical interpretative strategies have shaped the reception of Robert Schumann's music. Her writing on Schumann has appeared in the Journal of the American Musicological Society and the New York Times. She is currently an MD/MPH candidate at the University of Michigan.

christopher haworth is Lecturer in Music at the University of Birmingham, where he teaches courses in experimental music and sound art, electronic music studies, and music perception. His musicological research focuses on the history and theory of electronic music and sound art, with recent work treating such topics as the late electroacoustic music of Iannis Xenakis and historical uses of computer networks in music. He has published in the Computer Music Journal, Organised Sound, and Leonardo Music Journal, and he is a board member of the International Computer Music Association and editor of the association's journal, Array.

nicholas marston is Professor of Music Theory and Analysis in the Faculty of Music at Cambridge University; he is also a Fellow, and currently Vice-Provost, of King's College. His work on Beethoven, Schumann, and Schenker has been widely published. His most recent book is Heinrich Schenker and Beethoven's 'Hammerklavier' Sonata (Ashgate, 2013); forthcoming work includes chapters on the 'Eroica' Symphony and Die Zauberflöte in edited volumes from Cambridge University Press.

georgia volioti is a lecturer in Music at the University of Surrey. She completed her Ph.D. as an AHRC doctoral scholar at the Centre for the History and Analysis of Recorded Music (CHARM). Her research is at the intersection of historical and cultural musicology, music performance studies, and empirical musicology. She has published in Musicae Scientiae, Journal of Musicological Research, Musical Quarterly, Nineteenth-Century Music Review, and edited volumes.

ian woodfield teaches notation and early repertory at Queen's University Belfast, where he is also a regular member of its viol consort. His study of Mozart's late Italian comic operas and their Habsburg political contexts, Cabals and Satires, will be published by Oxford University Press in 2018.