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The Rest Is Silence: Postmodern and Postcolonial Possibilities in Climate Change Fiction
- Studies in the Novel
- Johns Hopkins University Press
- Volume 50, Number 1, Spring 2018
- pp. 26-42
- 10.1353/sdn.2018.0002
- Article
- Additional Information
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Abstract:
In this essay, I consider postmodernist tendencies in two recent climate change novels, Alexis Wright’s The Swan Book (2013) and Chang-rae Lee’s On Such a Full Sea (2014). While I hesitate to claim that these herald a distinct postmodern turn in climate change fiction, I argue that these novels’ postmodernist self-awareness constitutes a promising new direction for fiction in the Anthropocene. Displaying a postcolonial awareness and deploying the postmodernist strategies of metafiction and magical realism, the novels undermine the omniscience of third-person narrators and the reliability of focalizers in order simultaneously to destabilize realist, imperialist, and anthropocentric constructions of the world. Indeed, they not only question the dominance of master-narratives; they question domination per se. That is, in these novels, voice itself comes under suspicion as an anthropocentric fallacy.