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  • the cedar chest
  • Mark Belair (bio)

our entry hall holds a cedar chest / we sit on to tug on boots / a chest filled not with linens or off-season clothes / but with the childhood art of our two boys

we know / with our sons now grown / that it's time to cull the stock / and as apartment dwellers / we could use the storage space / we even attempted the task once / but found it overwhelming / for the art stalled us with memories / of course / of our boys in all their balky stages / but it also sidelined us / with memories of our own balky / trainee-parent selves

we had to learn / for example / that when confronted with a page of crayon scribbles / to say not what's that / which deflated them / but to say tell me about it / then listen / and watch / their scribble world / rise sensibly alive

then came their first self-portraits / made of big circle heads / stuck with arms and legs / their bodies not yet visualized / though the needs of those bodies came to consume our own / teaching us to tackle child care / work / extended family / and chores / while sleepless / forgetful / edgy / and dulled / ourselves reduced to big circle heads stuck with arms and legs

next appeared the mixed media of sand and beads and glitter glued onto paper / of clay figures / cut paper / and photo collages / artwork that sprawled all over the apartment / coating what little remained of our battered adult stuff / especially when a boyball of friends descended / and we found ourselves taking a crash course in hair-splitting / balance of power diplomacy / our skills and patience / abraded and upgraded / by tugs of war between these ostensible allies / in their battles of fantastical fabrication

then suddenly / true representation flourished / striking sketches of family and friends / and self-portraits that now had full bodies / and deft expressions / art that taught us the close aesthetic analysis we applied to discern the artists' inner lives / as they strayed further and further from home / and from casual confidences / an analysis that became our lifeline / to their unfolding / autonomous selves

then the art cache ended / for what they produced they kept for themselves / or discarded before we could corral it / a seemingly sudden loss / we had to learn to make hard / grudging / peace with

so when we revisited the artwork / that one time / and found so many growing pains / both the boys' and ours / hauled up / and exposed / we loaded it all back in / dropped down the top and / challenged / as our final lesson / to appreciate the completion of our own long / collaborative / interactive project / proceeded to sit / side by side / happy and happily / on it [End Page 78]

Mark Belair

Mark Belair's poems have appeared in numerous journals, including Alabama Literary Review, Atlanta Review, The Cincinnati Review, Harvard Review, Michigan Quarterly Review, Poetry East and The South Carolina Review. His latest collection is Watching Ourselves (Unsolicited Press, 2017). Previous collections include Breathing Room (Aldrich Press, 2015); Night Watch (Finishing Line Press, 2013); While We're Waiting (Aldrich Press, 2013); and Walk With Me (Parallel Press of the University of Wisconsin at Madison, 2012). He has been nominated for a Pushcart Prize multiple times. Please visit www.markbelair.com

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