- Index to Volume 58 of Criticism 2016
Volume 58, Number 1, pp. 1–176
Volume 58, Number 2, pp. 177–354
Volume 58, Number 3, pp. 355–534
Volume 58, Number 4, pp. 535–712
Articles | |
Ashworth, Suzanne. Cadaverous Intimacies: Disgust, Desire, and the Corpse in Edgar Allen Poe’s “Valdemar.” | 565 |
Aubry, Timothy. Why ls Beloved So Universally Beloved? Uncovering Our Hidden Aesthetic Criteria. | 483 |
Carter, Stephen D. The Dialectic of War and Utopia: Systemic Closure and Embattled Social Life in the Work of Fredric Jameson. | 177 |
Chon, Doris. Moths, Photographs, and Emigrants: The Capacity for Transmigration in the Work of W. G. Sebald. | 251 |
Cullen, Shaun. White Skin, Black Flag: Hardcore Punk, Racialization, and the Politics of Sound in Southern California. | 59 |
Cutter, Martha J. Black Like Malcolm: Grace Halsell’s Rewriting of Black Like Me (1961) in Soul Sister (1969). | 35 |
Farrell, Michael. The Colonial Baroque in Australia: On Drover Boab Texts, Wiradjuri Clubs, and Charlie Flannigan’s Drawings. | 409 |
Foley, Abram. By What Strange Channels: Nicholas Mosley’s Literary Circuits. | 459 |
Harris, Laura. The Subjunctive Poetics of the Undocument: C. L. R. James’s American Civilization. | 205 |
Humphrey, Daniel. In and Out, Or “The Ambiguity of the Jewel.” | 1 |
Jenkins, Candice M. New Bourgeoisie, Old Bodies: Performing Post-Civil Rights Black Privilege in Tar Baby and School Daze. | 621 |
Knoll, Gillian. Binding the Void: The Erotics of Place in Antony and Cleopatra. | 281 |
Lehnhof, Kent R. Antitheatricality and Irrationality: An Alternate View. | 231 |
Maxwell, Lynn M. Writing Women, Writing Wax: Metaphors of Impression—Possibilities of Agency in Shakespeare’s Rape of Lucrece and Twelfth Night. | 433 |
Mudie, Ella. An Atlas of Allusions: The Perverse Methods of Guy Debord’s Mémoires. | 535 |
Narkunas, J. Paul. Corporatizing Life in a World System with Thomas Pynchon: “Networks of Interest” and Dispersed Organization. | 647 |
Shanahan, John. Digital Transcendentalism in David Mitchell’s Cloud Atlas. | 115 |
Slater, Michael. The Ghost in the Machine: Emotion and Mind-Body Union in Hamlet and Descartes. | 593 |
Smalls, Shanté Paradigm. Eating Popcorn with Chopsticks: Revisionary Black Masculinity in Berry Gordy’s The Last Dragon. | 305 |
Specq, François. Thoreau’s Journal or the Workshop of Being. | 375 |
Sully, Justin. On the Cultural Projection of Population Crisis: The Case of The Omega Man. | 87 |
Zibrak, Arielle. Kissing a Photograph: Reproductive Panic in Kate Chopin and Thomas Hardy. | 355 |
Reviews | |
Cherry, Alina. On Pictures into Words: Images in Contemporary French Fiction by Ari J. Blatt. | 169 |
Crewe, Jonathan. On The Unrepentant Renaissance: From Petrarch to Shakespeare to Milton by Richard Strier. | 147 |
Crocker, Holly A. On The Pain of Reformation: Spenser, Vulnerability, and the Ethics of Masculinity by Joseph Campana. | 347 |
Esquivel, John Corso. On The Ethics of Earth Art by Amanda Boetzkes. | 699 |
Freadman, Anne. On Conversations on Peirce: Reals and Ideals by Douglas R. Anderson and Carl R. Housman. | 689 |
Gray, Jessica Hanselman. On Monstrous Motherhood: Eighteenth-Century Culture and the Ideology of Domesticity by Marilyn Francus. | 507 |
Jameson, Fredric R. On The Structure of World History: From Modes of Production to Modes of Exchange by Kojin Karatani. | 327 |
Lamb, Jonathan. On Islanders: The Pacific in the Age of Empire by Nicholas Thomas. | 523 |
Lee, Steven S. On Moscow, the Fourth Rome: Stalinism, Cosmopolitanism, and the Evolution of Soviet Culture, 1931–1941 by Katerina Clark. | 163 |
Samuelian, Kristin Flieger. On Enlightened Sentiments: Judgment and Autonomy in the Age of Sensibility by Hina Nazar. | 679 |
Schryer, Stephen. On Hollywood Melodrama and the New Deal: Public Daydreams by Anna Siomopoulos. | 683 |
van den Hengel, Louis. On Becoming Undone: Darwinian Reflections on Life, Politics, and Art by Elizabeth Grosz. | 153 |
Vincent, John Emil. On Opacity and the Closet: Queer Tactics in Foucault, Barthes, and Warhol by Nicholas de Villiers. | 529 |
Winckles, Andrew O. On Anna Seward and the End of the Eighteenth Century by Claudia Thomas Kairoff. | 341 |
Youssef, Sharif. On Are You My Mother? A Comic Drama by Alison Bechdel. | 513 |
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