In lieu of an abstract, here is a brief excerpt of the content:

  • Dickens Quarterly Checklist

Primary Sources

Dickens, Charles. David Copperfield. London: Vintage Classics, 2017. ISBN: 978-1784873424.
———. Great Expectations. London: Vintage Classics, 2017. ISBN: 978-1784873394.
———. Hard Times. London: Vintage Classics, 2017. ISBN: 978-1784873431.
———. Oliver Twist. London: Vintage Classics, 2017. ISBN: 978-1784873417.

Secondary Sources

Cove, Patricia. “Charles Dickens, Traumatic Re-Telling, and the 1794 Treason Trials.” Nineteenth-Century Contexts 39.3 (2017): 193–211. DOI: http://dx.doi.org/10.1080/08905495.2017.1311098
Darke, Verity. “Reading the Body-Object: Nineteenth-Century Taxidermy Manuals and Our Mutual Friend.” 19: Interdisciplinary Studies in the Long Nineteenth Century 24 (2017). DOI: http://doi.org/10.16995/ntn.779
Murail, Estelle and Sara Thornton, eds. Dickens and the Virtual City: Urban Perception and the Production of Social Space. Basingstoke: Palgrave, 2017. ISBN: 978-3319350851. [Contents: Estelle Murail and Sara Thornton, “Dickensian Counter-Mapping, Overlaying, and Troping: Producing the Virtual City”: 3–34; Ben Moore, “The Railway and the River: Conduits of Dickens’ Imaginary City”: 35–56; Estelle Murail, “Re-envisioning Dickens’ City: London Through the Eyes of the Flâneur and Asmodeus”: 57–78; Cécile Bertrand, “The Bleeding Heart of Criminal Geography in Dickens’ London”: 79–98; Divya Athmanathan, “‘One Hundred and Five, North Tower’: The City as a Prison-Home Narrative in Charles Dickens’ A Tale of Two Cities (1859)”: 99–120; Nancy Aycock Metz, “The ‘Something’ that His Brain Required: America’s Role in the Development of Dickens’ Urban Imagination”: 121–32; Fanny Robles, “Dickens and His Urban Museum: The City as Ethnological Spectacle”: 133–54; Catherine Lanone, “‘Reddening the Snowy Streets’: Manchester, London, [End Page 379] Paris or a Tale of Three Cities”: 155–74; Georges Letissier; “‘Our Mutual City’: The Posterity of the Dickensian Urbanscape”: 175–96; Françoise Dupeyron-Lafay, “The Role of Hypallage in Dickens’ Poetics of the City: The Unheimlich Voices of Martin Chuzzlewit”: 197–216; Jeremy Tambling, “No Thoroughfares in Dickens: Impediment, Persistence, and the City”: 217–40; Philip V. Allingham, “A Production of Two Cities and of Four Illustrators”: 241–73; “Bibliography”: 273–288].
Dickens Studies Annual: Essays on Victorian Fiction 47 (2016). [Contents: Nancy Aycock Metz, “Dickens, Irving, and the American ‘Logocracy’”: 1–16; Linda M. Lewis, “Charles Dickens’s Anti- American Rhetoric in Martin Chuzzlewit”: 17–32; John Paul M. Kanwit, “‘People mutht be amuthed’: Work, Play, and the Dickensian Disabled Child”: 33–56; Jude V. Nixon, “‘The Master of the New Testament Put Out of Sight’: Dickens’s Christology and the Higher Critical Debate”: 57–86; Tobias Wilson-Bates, “The Image of Time in David Copperfield”: 87–106; Jerome Meckier, “Bleak House to Great Expectations: Turnings, Catastrophes, Secrets”: 107–126; David Penn, “‘Broken . . . into a better shape’: Justice and Mercy in Great Expectations”: 127–44; Rosemary Coleman, “(Mis)Managing Closure in Our Mutual Friend: The Harmon Mansion Conceived as Heterotopia”: 145–64; Leon Litvack, “Dickens in the Eye of the Beholder: The Photographs of Robert Hindry Mason”: 165–200; Alexandra Valint, “Accepting Adèle in Charlotte Brontë’s Jane Eyre”: 201– 23; Robert C. Hanna, “A Court Duel as Performed by Wilkie Collins with an Analysis of the Manuscript, Playbill, and Advertisement”: 223–88; Natalie B. Cole, “Supplement to Recent Dickens Studies: 2013”: 289–96; Dianne F. Sadoff, “Recent Dickens Studies: 2014”: 297–352; Sara L. Pearson, “Charlotte Brontë: A Bicentenary Bibliography”: 353–88].
Dickens Quarterly 34.3 (September 2017). [Contents: William F. Long and Paul Schlicke, “Dickens and the City of London Conservatives”: 197–220; John Drew, “Dickens, Miscellanies and Classical Traditions of Satire”: 221–43; John Gordon, “Female Figures in Great Expectations: In Praise of Mrs. Joe”: 244–55; Eva-Charlotta Mebius, “Dreams of Dying Girls: The Poetry of Thomas J. Ouseley and Charles Dickens”: 256–61; Alan Shelston (Rev. Fred Kaplan, ed.: Hard Times. 4th Norton Critical Edition): 262–64; Chris Louttit (Rev. Christine Huguet and Paul Vita, Unsettling Dickens: Progress, Process and Change): 265–67; Jennifer Gribble (Rev. Daniel Siegel, Charity and Condescension: Victorian Literature and the Dilemmas of Philanthropy): 268–70; Ben Moore (Rev. Paul Fyfe, By Accident or Design: Writing the Victorian Metropolis): 271–73; Michael Hollington (Rev. Catherine Waters and Ruth Brimacombe, Picturing [End Page 380] the News): 274–76; Notices...

pdf

Share