Abstract

How does a creating theatre artist access inspiration; how are they able to push the bounds of their current practice and find news of working; how do they get to an original idea? This article might not be able to solve those direct questions but provides avenues toward the possibility of answers. We explore the abstract form in Larval Mask as well as larval shape to goad both our mind and body into the unknown fog of the creative cosmos, to see what happens when we release the pursuit of reaching for a predetermined “idea” and to simply explore the arrival of something unexpected. In this manner of process we are able to push the status quo on many different forms of theatre—in this case toward the advancement of puppetry.

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