About the Authors
- About the Authors
david ireland (D.I.Ireland@leeds.ac.uk) is a lecturer in music psychology at the School of Music at the University of Leeds, UK. His research particularly addresses the role of music in the perception of meaning in, and emotional response to, film. His thesis, supervised by Dr. Luke Windsor and Prof. David Cooper and funded by a University Research Scholarship, incorporated approaches from music psychology and film music studies to theorize incongruent film music. David has published on the incongruent soundtrack in The Soundtrack and Music and the Moving Image journals, and is currently writing a monograph on the topic for Palgrave Macmillan.
nina penner (nina.penner@gmail.com) is a musicologist whose work lies at the intersection between the fields of musicology, analytic philosophy, and literary theory. She is currently a Postdoctoral Fellow at Duke University's Music Department (funding from the Social Sciences and Humanities Research Council of Canada). There she is finishing a monograph on the nature of operatic storytelling and beginning another on authorship and collaboration in opera. She has an article on opera in the special issue on "Song, Songs, and Singing" in the Journal of Aesthetics and Art Criticism (2013).
caitríona walsh (caitriona.walsh@ucc.ie) is a doctoral researcher at University College Cork, Ireland, where she is currently completing her thesis on innovative approaches among film composers with a background in popular music, including Radiohead's Jonny Greenwood, Daft Punk's Thomas Bangalter, and Mica Levi of Micachu and the Shapes. Corporeal on-screen sound has emerged as a key aspect of these investigations. Prior to this, Caitríona completed a Master's in Musicology at University College Dublin, along with Bachelor's degrees in music and applied psychology. Her current research is supported by a Government of Ireland Postgraduate Scholarship from the Irish Research Council. [End Page 55]
