This is a preprint
Abstract

The aim of the present analysis is to investigate the moral assumptions of the Neo-Confucian culture of the Song as reflected in Zhu Xi’s work. The implicit presence of the transmoral element in Zhu Xi’s moral thought is highlighted, and its functioning is interpreted through the notions of moral imperative, moral demand, moral motivation and moral conscience.

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Additional Information

ISSN
1529-1898
Print ISSN
0031-8221
Launched on MUSE
2017-09-12
Open Access
N
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