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  • About the Contributors

About the Contributors

Mitchell Ohriner is an Assistant Professor of music theory at the University of Denver. He has held previous appointments at Shenandoah University and Washington University in St. Louis. His work, which focuses on computational music analysis in general and expressive timing and rap music in particular, appears in Music Theory Online, Empirical Musicology Review, proceedings of the International Symposium on Performance Science and Mathematics and Computation in Music, and in the forthcoming Oxford Handbook of Concepts in Music Theory.

Timothy Cutler is Co-Chair of the Music Theory Department at the Cleveland Institute of Music. He has presented numerous papers at national and regional conferences and his recent articles have been published in The Journal of Music Theory, Music Theory Online, and Theory and Practice. He is the creator of the Internet Music Theory Database, the first large-scale anthology of music theory examples maintained on the Internet, containing over 2500 examples of tonal harmonic and contrapuntal techniques (www.musictheoryexamples.com).

Matt BaileyShea is an Associate Professor of Music Theory at the University of Rochester College Music Department and the Eastman School of Music. He has published on a variety of topics including form, gesture, agency, and the analysis of song.

Jennifer Beavers is an Assistant Professor of Music Theory at the University of Texas at San Antonio. She received her Ph.D. and M.M. degrees from The University of Texas at Austin in Music Theory and her B.S. in Flute Performance from Georgia State University. Her work addresses Maurice Ravel's formal process, primarily his unconventional recapitulations in works from the inter-war period.

Cora S. Palfy is an Assistant Professor of music theory at Elon University. She earned her Ph.D. in Music Theory with a specialization in Music Cognition at Northwestern University in 2015. Her research [End Page 216] focuses on the blend of music cognition with music theory, and specifically deals with the way that music expresses and engages human behavioral traits that encourage listeners to form a relationship with it. She is a singer with a background in jazz and opera training.

Mark Anson-Cartwright is Associate Professor of Music Theory at Queens College and the Graduate Center, City University of New York. He has published widely on music of the eighteenth and nineteenth centuries, most recently on the St. Matthew Passion in Explorations in Schenkerian Analysis, a collection of essays in memory of Edward Laufer (University of Rochester Press, 2016). [End Page 217]

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