Award Recipients
Vol. 44. Ryan Giles, "Garden Spaces and Textual Materialities: The Exorcistic Prelude to the
Razón de Amor" 44.1 (Fall 2015): 115–33.
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Vol. 43. Sarah J. Pearce "In a Better and Older Language: The Redemptive Potential of Arabic and Its Translated Fiction" 43.1 (Fall 2014): 179–99.
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Vol. 42. Andrew M. Beresford, "Dreams of Death in Medieval Castilian Hagiography: Martyrdom and Ideology in the Gran Flos Sanctorum" 42.1 (Fall 2013): 159–84.
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Vol. 41. Ana Gómez Bravo, "Situation and Textual Mediation: Toward a Material Poetics of the Fifteenth-Century Lyric" 41.2 (Spring 2013): 35–60.
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Vol. 40. Yasmine Beale-Rivaya, "The Written Word as Witness: Language Shift from Arabic to Romance in the Documents of the Mozarabs of Toledo in the Twelfth and Thirteenth Centuries" 40.1 (Fall 2011): 27–50.
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Vol. 39. Lucia Binotti, "Humanistic Audiences:
Novela sentimental and
Libros de caballerías in Cinquecento Italy" 39.1 (Fall 2010): 67–113.
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Vol. 38. Jesús D. Rodríguez Velasco, "La urgente presencia de
Las Siete Partidas" 38.2 (Spring 2010): 99–135.
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Vol. 37. Frank A. Domínguez, "Santilario and Cardinal Francisco Jiménez de Cisneros: Stanza 28 of
Carajicomedia and Its Gloss" 37.1 (Fall 2008): 301–37.
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Vol. 36. Ryan D. Giles, "'Tomé senda por carrera': Finding and Losing the Cross in the
Libro de buen amor" 36.2 (Spring 2008): 369–92.
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Vol. 35. Teresa Catarella, "Doña Urraca and her Brother Alfonso VI: Incest as Politics" 35.2 (Spring 2007): 39–67.
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Vol. 34. Robert Folger, "Passion and Persuasion: Philocaption in
La Celestina" 34.1 (Fall 2005): 5–29.
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Vol. 33. Simone Pinet, "Para leer el espacio en el
Poema de Mio Cid: breviario teórico" 33.2 (Spring 2005): 195–208.
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Vol. 32. Sol Miguel-Prendes, "Reimagining Diego de San Pedro's Readers at Work:
Cárcel de amor" 32.2 (Spring 2004): 7–44.
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Vol. 31. José Pérez López, "El códice T del
Libro de buen amor en su biblioteca: Averroístas y goliardos", 31.1 (Fall 2002): 69–106; and "El Manuscrito 99–37 de la Biblioteca de la Catedral de Toledo y el Manuscrito T del
Libro de buen amor" 31.2 (Spring 2003): 137–75.
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Vol. 30. Emily Francomano, "¿Qué dizes de las mujeres?:
Doncella Teodor as the Conclusion to
Bocados de oro" 30.1 (Fall 2001): 87–110.
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Vol. 29. Barbara F. Weissberger, "The Gendered Taxonomy of Spanish Romance" 29.1 (Fall 2000): 205–29.
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Vol. 28. Richard P. Kincade and John E. Keller, "Myth and Reality in the Miracle of
Cantiga 29" 28.1 (Fall 1999): 35–69.
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Vol. 27. Charlotte Stern, "Recovering the Theater of Medieval Spain (and Europe): The Islamic Evidence" 27.2 (Spring 1999): 119–53.
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Vol. 26. Julian Weiss, "On the Conventionality of the
Cantigas d'amor" 26.1 (Fall 1997): 225–45.
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Vol. 25. E. Michael Gerli, "Performing Nobility: Mosen Diego de Valera and the Poetics of
Converso Identity" 25.1 (Fall 1996): 19–36.
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Vol. 24. Ross Brann, Ángel Sáenz-Badillos and Judit Targarona, "Šĕmu'el ibn Śaśon y su poesía hebrea en la Castilla del siglo XIV" 24.2 (Spring 1996): 56–74.
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Vol. 23. Steven N. Dworkin, "The Genesis of Old Spanish
duecho: An Unrecognized Provencalism" 23.2 (Spring 1995): 34–50.
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Vol. 22. Louise O. Vasvári, "Festive Phallic Discourse in the
Libro del Arcipreste" 22.2 (Spring 1994): 89–117.
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