African American Theological Ethics: A Reader ed. by Peter J. Paris and Julius Crump (review)

African American Theological Ethics: A Reader (AATE) is a thought-provoking title that piqued my interest upon first sight. I am an African American Christian who studies African American Christianity, culture, history, and black theology. I wondered how the book would discuss African American theological ethics in terms of its articulation, embodiment, and practice. I also had reservations regarding the book's structure, the diversity of themes emphasized, and the balance between discussion of theology and of ethics. A few questions surfaced as I reflected upon the contents of the book. How is the term "theology" defined? Would the book discuss the particular ethical systems derived from monotheistic and polytheistic religions? How have African Americans contextualized their ethics in relation to God(s)? What is the central role of God(s) in this volume?

The aim of the editors "is to provide a collection of resources that depict a broad range of theological and ethical reasoning that African Americans developed during two centuries of slavery, a subsequent century of racial segregation and discrimination, and another half century of continuing inequalities of opportunity and achievement" (xvii–xviii). Thus, the book has a strong sociopolitical emphasis. The reader should not expect theological ethics emphasizing the worship of God(s), religious doctrines, or proper religious living. Rather, AATE is a book of loosely interpreted political theologies and sociopolitical theological ethics. The themes of liberation, oppression, race, slavery, and white supremacy are governing hermeneutics that saturate the book's content. As Peter Paris and Julius Crump suggest, "it is important to note that African American theological ethics is not an abstract theoretical enterprise. Rather, it is a form of inquiry that is clearly related to African American studies in history and sociology both of which either imply or reveal a normative bias for racial justice" (xviii).

AATE is a collection of thirty-seven essays and excerpts written by influential thinkers in African American history. Works are presented by such popular figures as Ida B. Wells-Barnett, Martin Luther King Jr., Booker T. Washington, and W.E.B. DuBois. The first four sections of the book are ethical in their approaches and display works emphasizing opposition to white supremacy. Part 1, titled "Opposing the Doctrine of White Supremacy," has a solitary essay from Martin R. Delany's work, The Origin of Race and Colour. Parts 2, 3, and 4—"Opposing Slavery," "Opposing Racial Segregation," and "Opposing Racial Discrimination," respectively—contain works from Shirley Chisholm, Barack Obama, Adam Clayton Powell Jr., Barbara Jordan, and more. The last two parts change the focus of the book from the theme of opposition and theologically center the discourse on African American ingenuity toward different aspects of life. Part 5 assembles essays from scholars such as Jacquelyn Grant and James Cone under the title of "African American Religious Creativity." The last section displays essays from James Weldon Johnson and Peter J. Paris under the banner of "African American Themes and Perspectives."

AATE is a good anthology of discourses that have a strong emphasis on social justice. It would be greatly complemented by other selections that emphasize African American theological ethics apart from sociopolitical issues. It is an informative book that contributes to the genre of African American anthologies; it would strengthen any introductory course on African American theology and is beneficial for anyone seeking broad exposure to the development of African American theological ethics. AATE could be read alongside titles such as Katie G. Cannon and Anthony B. Pinn's The Oxford Handbook of African American Theology, or Paul E. Johnson's African American Christianity: Essays in History.